Search results for 'angelique and kidjo'
Showing 1 - 6 of 6 matches
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Fon,French,Yoruba,Angelique Kidjo,Oyaya!,Columbia Records,Tim Wardyn
ANGELIQUE KIDJO OYAYA! Columbia Records Angelique Kidjo is a world music goddess. Oyaya! (which means "joy" in her native language Yoruba) is the third in a trilogy of albums that explore the world through her music. The first two offerings in this series, Oremi and Black Ivory Soul, explored African ...
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Black Ivory Soul (Columbia). Review by Bill Campbell.
ANGELIQUE KIDJO BLACK IVORY SOUL Columbia Angelique Kidjo is one of those phenomenal talents who deserve much more respect (and money) than she has garnered in the past. When she first emerged on the scene over a decade ago, Kidjo was one of the first to take world music onto the Western dancefloor ...
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World Music Versions of Classic Pop Hits (Putumayo). Review by Bill Campbell.
... don't envy them for all the crap they had to have listened to in order make this compilation as good as it is. We get fabulous world artists such as Angelique Kidjo, Fatal Mambo, Touri Kunda and Ladysmith Black Mambazo along with brilliant zydeco master, Chris Ardoin, covering everyone from Ray Charles ...
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Future 2 Future (Transparent). Review by Bill Campbell.
... it will take jazz heads decades to decipher. The disc opens with a Frikyiwa Afro-electronic tune, "Kebero Part 1," that gives a respectable nod Angelique Kidjo's way. "Tony Williams" pays homage to Hancock's late running partner by constructing a challenging yet enjoyable groove around one of the drummer ...
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The 10th Anniversary (Earthbeat!). Review by Bill Campbell.
... are assembled: Baaba Maal (the Jackie Chan of World Music -- you have got to see his high-energy performance), Boukman Eksperyans, Jimmy Cliff, Angelique Kidjo, John Trudell, Ismael Lo, Annette Brissett (who sounds like Minnie Small after 40 years of Lucky Strikes), Third World, and more. It's a nice ...
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November 1998 :: Music I-L :: Jazz a St. Germain (Carl Glaser)
... Gershwin? Gershwin and more, as this flawless collection of '40s and '50s Paris nightclub jazz interpretations proves. Jazz a St. Germain opens with Angelique Kidjo's refreshing rendition of "Summertime," with African-styled vocal harmonies and a slow, Portishead feel; this could be the high point of ...
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