Search results for 'daft and punk'
Showing 1 - 10 of 30 matches
100% match
Discovery (Virgin). Review by Troy Mayhew.
DAFT PUNK DISCOVERY Virgin Daft Punk's debut, Homework, contained some undeniable highlights, such as "Da Funk" and "Around The World," and the shameless house beats were nothing more than modern-day disco. Where Homework was a straight-up party album, Discovery is more pop-oriented, reminiscent of ...
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Alive 1997 (Virgin). Review by Vanessa Bormann.
DAFT PUNK ALIVE 1997 Virgin From the men who revolutionized dance music with their unparalleled innovation of sound, comes their second 2001 release. A limited edition mind-blower, all live, 46 minutes of non-stop mixing of tracks from their bestselling 1997 debut Homework, heed that you have been ...
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Chris Catania, in between three days of running back and forth the length of Chicago's Grant Park to check out the likes of Pearl Jam, Regina Spektor and Rhymefest, wonders if maybe Lollapalooza is getting a little too big.
LOLLAPALOOZA WITH PEARL JAM, BEN HARPER AND DAFT PUNK, IGGY AND THE STOOGES, PATTI SMITH, REGINA SPEKTOR, LUPE FIASCO, RHYMEFEST, PETER BJORN AND JOHN... Chicago, IL August 3-5th by Chris Catania In hindsight, I should have listened to my elders but I didn't. And for the second straight year Lollapalooza ...
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Christopher R. Weingarten has been going steady with these 19 singles all year, and now wants to bring them home to meet you. Prepare to be surprised at who's coming to dinner.
... -step, Automator's musical film noir -- they were all right there on your radio, your MTV, and your 11-year-old sister's Walkman. 1991 was "the year punk broke," but 2001 was the year pop went post-punk. The most damning things turned out to be really popular, and the most popular things turned out to ...
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Various Artists (Universal). Review by Bill Campbell.
GLOBAL HITS 2002 VARIOUS ARTISTS Universal If you are at all curious about what the Eurotrash is dancing to these days, then Global Hits 2002 is meant for you. Of course, after listening to the first two tracks by iis and Roger Sanchez, my first thought was, "Don't bother." These techno tracks are ...
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November 1998 :: Music C-D :: DeeJay Punk-Roc (Gail Worley)
DeeJay Punk-Roc ChickenEye Independiente/Epic Having remixed tracks for bands as varied as Korn, the Beastie Boys and Pitchshifter, Brooklyn's DeeJay Punk-Roc drop-kicks club music into the new millennium on his debut, ChickenEye. Drawing from old school beats and hip hop style, ChickenEye ignites ...
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From "Cleveland Rocks" to "All the Young Dudes" to "Once Bitten Twice Shy," Ian Hunter has been involved in some of the most classic songs in rock history. Gail Worley jumped at a rare chance to talk to this rock n' roll legend.
... ." A dedicated music fan himself, who never saw divisions between different styles of music, Ian Hunter fully embraced the first wave of British punk rock when it broke in the late '70s, and even produced the second Generation X album, Valley of the Dolls. It doesn't get much cooler than that. On a stormy ...
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Radiohead, with The Beta Band and Kid Koala at Stone Mountain Park in Atlanta, GA on July 30, 2001. Concert review by James Mann. Photos by Alice Barkwell.
... the choice to follow their own muses -- not those of the fans, or the sniping, gossipy British press. In doing so, their sound evolved from being "Punk Floyd" to something more along the lines of "DJ Radiohead." Material such as "Idioteque" or "Packt Like Sardines in a Crushd Tin Box" are built on loops ...
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Various Artists (Hypnotic). Review by Troy Mayhew.
... early days of the evolution of house, most of the music here is not too far removed from disco, in a period long before the progressive influence of Daft Punk and Basement Jaxx was felt. All tracks have the signature 1-2-1-2 deep bass grooves over what appears to be largely 1980s-era pop and R&B outtakes ...
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Jealousy (Moonshine). Review by Kiran Aditham.
... Keoki has found the time to record the follow-up to his 1997 debut full-length, Ego Trip. The reception was iffy for that record. But the opening, Daft Punk-ish title track on his latest sees Keoki adhering to the same rave aesthetics that he helped propel in the 1990s. But alas, it is the 21st century ...
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