Search results for 'dark and 'n' and lovely'
Showing 1 - 10 of 67 matches
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The Cure perform their three darkest albums for the people of Germany on this 2 DVD set, and longtime fan Daniel Mitchell gives us perspective.
... , this time coming in the form of a two DVD set, entitled Trilogy. The title comes from the gathering of The Cure's three most emotional and dark albums, 1982's Pornography, 1989's Disintegration, and from 2000; Bloodflowers; what makes this two DVD set so special is that all three albums were played ...
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Gail Worley talks with the (extremely!) lovely and talented Cristina Martinez about juggling family responsibilities and rock and roll, why getting dumped by a major was a good thing, and what it's like to have Jon Spencer as both a husband and a bandmate.
... don't think so. On the contrary, it adds to the undeniable aura that she's someone important, someone you want to know. The coat makes the stunning, dark-haired singer for New York City's underground darlings, Boss Hog, look like what she is: a Rock Star. Martinez and her band -- which includes her ...
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The Death of Tara and "The Dead/Evil Lesbian Cliché" (Ink 19, July 2002)
... story -- I don't know, and I can't see how it could possibly be determined by debate. And I personally believe that a story of Willow turning to dark magic, if it were told at all, could have been told in a different way (for example, in response to the argument that Tara's mere injury would have not ...
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Singer/songwriter Joe Henry tells Gail Worley that he considers himself a very lucky man, and after hearing about his work with Ornette Coleman, sipping martinis with Bob Dylan, and having his sister-in-law record one of his songs (maybe you've heard of her -- she's called Madonna), it's hard to argue.
... was recorded by and became a huge hit for his very famous sister-in-law, a woman we all know as Madonna. Keen ears will recognize the song "Stop," a dark, seductive tango off Henry's latest release, Scar, as being Madonna's über-hit, "Don't Tell Me," (it's the video where she dances around in a cowboy ...
54% match
April 1998 :: Music E-G :: Gargamel (Bing Futch)
... turn into Satan, and the band explodes in a pounding, stomping, grinding mosh of a punk assault that rubbed its ass against my brain. How rude. The dark jazzy riffs of "Malt Liquor Knights" finds the band in a seemingly contemplative mood, digital sound bytes concerning cannibalism are laced into an ...
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March 1998 :: Music A-C :: Chicago Underground Duo (Matthew Moyer)
... , the majority of this album is quite subdued. In fact, some songs seem like they barely even exist, as if they just fade like clouds. See "Not quite dark yet and the stars shining above the withered fields," "The Big Bang Theory," and "Gratitude" for evidence of this incandescence. The conceptual breakthrough ...
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December 1998 :: Music A-B :: Black Tape for a Blue Girl (Dave Aftandilian)
... Richards) and flute lend an elegant, classical feel, augmented and sometimes purposefully undermined by Sam’s exquisite keyboard work and lovely vocals by Oscar Herrera and Julianna Towns. Far from the surrealist spectacle one might expect from a work dedicated to Duchamp, As one aflame has a ...
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February 2000 :: Music E-H :: The Frank and Walters (Kurt Channing)
... More Than Life Setanta/Red Ink The Frank and Walters are an anachronism, a genuine oasis of dated English pop in a desert of genericized music. Lovely, dank dark British tunes that could come straight out of a John Hughes teen film, you know, the scene near the end with the guy and the girl (especially ...
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May 2000 :: Music S :: Seireenia (Dave Aftandilian)
... to experimental, Seireenia has something for anyone who appreciates the sensuous warmth or achingly lonely chill of the female voice paired with dark musics. Most of the tracks have been previously released, but several can only be found here. Like any good compilation, Seireenia provides a mix of ...
47% match
Rhythmic, hypnotic, melodic, mysterious -- the music of Unto Ashes is all the...
... synth cheesiness toward the end of the instrumental "Sojourner" and plodding synth-heavy monotony on "Der letzte Ritter." A lot of the songs combine lovely, delicate music with very dark lyrics, which makes for a deeply disturbing combination, as on the opening "Teach Me How to Drown" or "Scourge." ...
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