Search results for 'david and s. and ware'
Showing 1 - 7 of 7 matches
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The Freedom Suite (Aum Fidelity). Review by Matt Cibula.
DAVID S. WARE QUARTET THE FREEDOM SUITE Aum Fidelity In which one of the greatest foursomes in today's jazz scene takes on one of the most important works of the 1950s and manages to be respectful at the same time that it takes chances with the material. If you think this is important and amazing, ...
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Equilibrium (Thirsty Ear). Review by Jan Mantovani.
... starting to wonder if the only reason he's been heralded as our greatest modern jazz pianist is because nobody can hear what he's playing underneath David S. Ware's Ayler-like bravado. But maybe all of that praise, the magazine cover stories, the steady recording gigs are all emblematic of Shipp's please ...
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A side of jazz ignored by Ken Burns' documentary is explored in Philip Freeman's new book, New York is Now!: The New Wave of Free Jazz. But is the book any more valid a document of jazz than Burns' film was? Bob Pomeroy has the answers.
... Freeman does very well. Freeman is best when he is most passionate. He is a zealous fan who wants to convert everyone he meets to the gospel of Ware, Parker, and Shipp. He is eager to share his discovery with anyone who will listen. Reading Freeman is a little like reading Lester Bangs' slash and burn ...
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This is the first time that either of these two classic recordings by the Que...
... were mostly from different incarnations of the Hot Band - included James Burton, Ricky Scaggs, Hank DeVito, Glen D. Hardin, Emory Gordy Jr., John Ware, and Tony Brown among others. Among the songs on Cimmaron are a heavenly version of Townes Van Vandt's "If I Needed You," in which Emmylou duets with ...
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Sustain (Thirsty Ear). Review by Eric J. Iannelli.
... " and the rest of which are pure, unadulterated noise. You could find the same sprawling, run-of-the-gamut approach in other free jazz musicians like David S. Ware, but at least Ware adopts the vaguely comprehensible spiritual approach of Coltrane. In Maneri's case, all I hear is a group of precocious ...
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March 2000 :: Music I-M :: Knitting on the Roof (Ian Koss)
... Dr. Eugene Chadbourne's disintegrating banjo avalanche on "Miracle of Miracles." Come's "Do You Love Me?" is a fractured telephone conversation, and David S. Ware's "Far From The Home I Love" is an inspired saxophone frenzy. The cross-pollination of a Broadway musical about Russian Jewry and the talents ...
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April 1998 :: Columns :: Adjective City ()
... Space Age (1500/A&M) All grown up and moved to a thinly disguised major label, God Lives Underwater continues their innovative fusion of electro-ware driven alterna-rock. Sounding like an opiated and sedated Nine Inch Nails being tickled by fuzzy guitars, GLU definitely deserves more recognition from ...
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