Search results for 'death and by and chocolate'
Showing 1 - 10 of 15 matches
100% match
Death By Chocolate (Jetset). Review by Marcel Feldmar.
DEATH BY CHOCOLATE DEATH BY CHOCOLATE Jetset Imagine if a band like Black Box Recorder decided to play really happy music, throwing away all the suicide songs and singing instead about candy. If this happened, they'd probably change their name to Death By Chocolate. Sweet sixties electronic groove ...
93% match
Zap The World (Jetset). Review by Stein Haukland.
DEATH BY CHOCOLATE ZAP THE WORLD Jetset "Conceived by" legendary British label-guy Mike Always, Death By Chocolate is more than a mere product of some corporate brainstorm. Centered around the cute and charming voicing of young Angela Faye Tillett, Death By Chocolate go where no band has ever gone ...
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Coming off the Spit Kickers tour with De La Soul and Biz Markie to his new album, Like Water for Chocolate, going gold, it's clear that Common's message and his hip hop grooves are finally making it to a wider audience. So what is his message? That's what Nirav Soni found out, as they discussed politics, inspirations, and spirituality.
... , flowing over transcendental verse as easily as rocking the house. Chicago born Common seems to have appeared from nowhere with his Like Water for Chocolate album, but his notoriety comes from a consistently amazing career. His albums Can I Borrow a Dollar?, Resurrection, and One Day It'll All Make ...
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Split 7" (McCarthyism). Review by Daniel Mitchell.
CLANCY 6 / VINCENT PRICE'S ORPHAN POWERED DEATH MACHINE SPLIT 7" McCarthyism I liken this 7" to a boulder smeared with maple syrup and chocolate sauce: heavy and sloppy. Vincent Price's Orphan Powered Death Machine is a curious screamo/spazzcore band. They have a three-tiered vocal approach: one growls ...
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Let's face it: we're all sinners. And nobody knows that better than Tammy Faye Starlite, who's come to preach her fire and brimstone gospel with her distintive brand of country music blasphemy. Frank Mullen repents.
DOES IT ON HER KNEES TAMMY FAYE STARLITE by Frank Mullen Frank Mullen Jimmy Swaggart would love Tammy Faye Starlite. She preaches out loud, she talks dirty, and she loves country music. And she might just take that holy roller for a holy roll in the sack. But then, Brother Jimmy probably doesn't ...
13% match
February 2000 :: Music M-P :: Phase Selector Sound (Ian Koss)
Phase Selector Sound Disassemble Dub ROIR This is one of a handful of discs that suffered a fate worse than death: exile in my car. Phase Selector Sound's particular vision of dub displays as much basement innovation as it does respect to roots, touching the occasional digital spice only as a subtle ...
10% match
Among Norway's notable exports (goat cheese, death metal, troll dolls, and mi...
THE LOCH NESS MOUSE FLAIR FOR DARJEELING Perfect Pop Among Norway's notable exports (goat cheese, death metal, troll dolls, and milk chocolate), one usually doesn't think of indie-pop. But for the last ten years, Perfect Pop Records (based in Oslo) has operated as the center of a prodigious Scandi ...
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How do you review a very Canadian re-interpretation of the Dracula story done as a ballet? Why, you send in Carl F Gauze, of course.
... , Tara Birtwhistle, David Moroni Zeitgeist Films Everyone has their own personal interpretation of the Vampire story, and goodness knows it's done to death. Still, unexplored interpretations emerge occasionally, like this combination of blood, ballet, and high concept film making. Out on the plains of ...
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May 1999 :: Music A-B :: All The Miserable Times (Phil Bailey)
All The Miserable Times I Love You Loudly Fish of Death This is one head-trip of a record. A stream of consciousness rant that feels like reading someone's diary. It's intriguing, confusing, repulsive, and opens up more questions than it answers. You feel guilty reading, but you can't resist it. The ...
9% match
February 1999 :: Music C-E :: East Flatbush Project (Matthew Schaefer)
East Flatbush Project Tried by 12 Ninja Tune/Chocolate Industries A lot has been written lately about the ascendancy of cutting and remixing as a musical aesthetic, and of the use of recording studio itself as a musical instrument. Of course, more often than not, the remixes we end up hearing are house ...
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