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Search results for 'deerhoof'
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Ink 19 :: Deerhoof
Deerhoof (Menlo Park). Review by Daniel L. Mitchell.
DEERHOOF DEERHOOF Menlo Park This is a very bizarre slab of vinyl. What we have here is, essentially, a full length LP of random noise, laughing, screaming, and otherwise artiness. This reminds me of Confusion Is Sex-era Sonic Youth stuff. So how does on go about reviewing a record which has little ...
Ink 19 :: Deerhoof
Reveille (Kill Rock Stars). Review by Matthew Moyer.
DEERHOOF REVEILLE Kill Rock Stars Deerhoof's Reveille makes me swoon. Here's why. "This Magnificent Bird Will Rise" flashes all the guitar crunch and bite of "My Generation" Who, but then swamps it in layers of tape loops and disembodied "doo doo doo doooos." "The Eyebright Bugler" is perfect sun-kissed ...
Ink 19 :: Deerhoof
It's taken Deerhoof thirteen years to grab widespread attention, but now that the media is paying attention the fans have followed. Jen Cray was one among many who crammed into The Social in Orlando, FL, to see what all the fuss is about.
DEERHOOF BUSDRIVER, THE HARLEM SHAKES Orlando, Fla. February 19, 2007 by Jen Cray Jen Cray The Harlem Shakes Thirteen years and seven albums into Deerhoof's career, they have found themselves at the epicenter of media buzz. Rave reviews have captured the attention of the fickle concertgoers, and they ...
Ink 19 :: Deerhoof
Deerhoof,Apple O’,Kill Rock Stars,Matthew Moyer, Satomi Matsuzaki
DEERHOOF APPLE O’ Kill Rock Stars On Apple O there’s that sublime mix of the primitive and alien. The Keith Moon hurricane drumming of Greg Saunier, which made the last Deerhoof platter so beguiling (although to be fair, just one item among MANY), is raging all through “Dummy Discards A Heart” coupled ...
Ink 19 :: Deerhoof
Friend Opportunity (Kill Rock Stars). Review by Jen Cray.
DEERHOOF FRIEND OPPORTUNITY Kill Rock Stars Like Cibo Matto before them, the Japanese female-fronted Deerhoof are an odd, but acquired taste. Artsy, everything-but-the-kitchen-sink music with childlike vocals and elementary lyrics makes this an album that many people will completely disregard. Listen ...
Ink 19 :: XBXRX
Speaking with vocalist Vice Cooler and guitarist Steve Touchstone of the undefinable trio of XBXRX, Jen Cray got them to talk about the brilliance of Kill Rock Stars, recording with Ian Mackaye and Steve Albini and how their live shows have resulted in permanent scarring.
...the bold risks girls like Kathleen Hanna and Kim Gordon were taking in their vocals and the unrestrained musical attacks of bands like Unwound and Deerhoof, the band from Alabama created a strange hybrid of the '90s sound which usually gets confused with being hardcore but actually has no set genre...
Ink 19 :: Gorge Trio
Colossamite,Flying Luttenbachers, Iceburn,Gorge Trio,Open Mouth, O’ Wisp,Skin Graft Records ,Matthew Moyer
...sound doodles, abstract drum freakouts -- that about covers it. It seems that the obvious skills of the players here, both the Trio and guests (like Deerhoof's Satomi Matsuzaki), are locked in a Ragnarok-esque eternal struggle with their skills and the desire, as Robert Fripp put it, to aggressively...
Ink 19 :: Degenerate Art Ensemble
The Bastress (Tellous). Review by Aaron Shaul.
...a fairly dizzying experience. Add to the mixture one constant, that of militant grrl Japanese rager Haruko Nishimura, and we're left with a bizarro Deerhoof or Melt Banana as a jazz band playing circus-styled math rock. If that equation makes your head hurt, the realization of it will surely do the...
Ink 19 :: The Curtains
experimental, pop, manic, indie,The Curtains,Vehicles of Travel,Frenetic,Aaron Shaul
...attain the title of "accessible," but Vehicles of Travel moves them decidedly in that direction. Knowing that the group is comprised of members of Deerhoof and Natural Dreamers should give an uninitiated listener some clue as to what sort of dissected pop they're about to be splattered with. Sticky...
Ink 19 :: The Grates
The Ouch. The Touch (Cherrytree). Review by Aaron Shaul.
..."it" band. Unfotunately, these folks don't necessarily have "it," at least not as far as these four tracks go. The jittery stop-start mania of the Deerhoof-esque "Message" begins the disc with sure-footing and the follow-up "Sukkafish" is like some twisted hyrid of Australian outback folk and brit-rock...
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