Search results for 'depeche and mode'
Showing 1 - 10 of 95 matches
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Exciter (Mute/Reprise). Review by Julio Diaz.
DEPECHE MODE EXCITER Mute/Reprise All through junior high and high school, I was a huge fan of Depeche Mode. Like a lot of American Depeche Mode fans, I discovered the band when "People Are People" became a moderate hit in 1984, and quickly delved into the band's roots with the follow-up compilation ...
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Playing The Angel (Sire/Reprise/Mute). Review by Jorge C. Galban.
DEPECHE MODE PLAYING THE ANGEL Sire/Reprise/Mute After several mediocre releases following the departure of sound sculptor mastermind Alan Wilder, Depeche Mode fire on all cylinders with their latest effort. Playing The Angel finds the British trio reenergized and more focused than ever. The album ...
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Be careful of answering the phone, warns Lee Ann Leach...
... JESUS by Lee Ann Leach "Feeling unknown/And you're all alone/Flesh and bone by the telephone/Lift up the receiver I'll make you a believer" --Depeche Mode, "Personal Jesus" They stood in the mist of understanding. He knew her because she had allowed him to look inside. She believed him when he said ...
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My Favorite Kind of Irrelevance - The Best of Metamatics and Norken (Hydrogen Dukebox Records). Review by Al Pergande.
... sound, mildly Drum and Bass feeling, and spacey in the way we thought all 21st century music ought to sound. We open with an intriguing remix of Depeche Mode's "Personal Jesus." The ambient version loses the bitter fire of the original, and scrutinizes the melody under an electronic microscope, seeking ...
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New York's Night Kills The Day draw influence from bands like Depeche Mode, the Cure and Pink Floyd. Their debut full length release, The Study of Man... And the Developed Shadow, is set for a March 2007 release on Score Records. Jen Cray spoke with bassist Timothy Falzone about his band that appears to be sitting on the doorstep of success.
... Cray Forged upon a lifelong friendship between vocalist Luke Brian and bassist Timothy Falzone, Night Kills The Day draws influence from bands like Depeche Mode, the Cure, and Pink Floyd, yet have found their own footing within the moody scene of NYC. Their debut full length release, The Study of Man ...
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May 1999 :: Music U-Z :: Videodrone (Tom Minarchick)
... Rock" clones that I expected. The record sounds like Marilyn Mansion or Peter Steele doing their "spooky-talking" thing with music by late '80s-era Depeche Mode or Duran Duran. The Depeche Mode/Duran Duran sound comes from the synthesizers and bass that are the main instruments, other than the occasional ...
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October 1998 :: Music D-G :: For The Masses (Richard T Thurston)
... Various Artists 1500/A&M Compiled by God Lives Underwater's Jeff Turzo, For The Masses is a tip of the glass to genre-defining UK synthpop act Depeche Mode. The cast of musicians is as diverse as they come. From Rabbit In The Moon to The Deftones, Veruca Salt to Monster Magnet, it's a loving tribute ...
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OhGr, with Hate Dept. at The Masquerade in Atlanta, GA on June 22, 2001 and at Club 5 in Jacksonville, FL on June 23, 2001. Concerts review by Matthew Moyer. Photos by Heather Lorusso.
... lines all! It's so gonna be time to pay the piper soon, bastards! "wateR" and it's vocoders, the slow burn of "chaoS" culminating in a infectious Depeche Mode synth line, the plodding molasses riffs of "minus," all rendered so beautifully and mysteriously. Towards the end of the set somebody gets the ...
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Too melodic for punk, too gritty for "new wave" -- The Psychedelic Furs are a hard band to pigeonhole, which makes them that much more rewarding. Steve Stav speaks with legendary frontman Richard Butler.
... to be classics of the "New Wave" era, The Furs' underlying grittiness hardly made them suitable shelfmates for electro-pop contemporaries like Depeche Mode. In fact, the core group of brothers Richard and Tim Butler, with guitarist John Ashton, were much more akin to The Damned than The Human League ...
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October 1999 :: Music C-D :: cut.rate.box (Mathew Moyer)
... my point. Clean production and instrumental backdrops that echo both the repetition of Suicide, the darkness and fuzz of early Skinny Puppy, and Depeche Mode's interlocking keyboard lines. Closing track "pressing the little" is a harrowing experiment in power electronic that seems to linger like a past ...
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