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Search results for 'ennio and morricone'
Showing 1 - 10 of 18 matches
Ink 19 :: Gems of the Italian Cinema
Italian cinematic scores and the pioneering work of Ennio Morricone are rever...
GEMS OF THE ITALIAN CINEMA VARIOUS ARTISTS Amsterdamned Italian cinematic scores and the pioneering work of Ennio Morricone are revered and subsequently pillaged by artists as diverse as Mike Patton, Portishead, Wu-Tang Clan, and John Zorn for their genre-defiance, shimmering orchestration, and melancholy ...
Ink 19 :: Valley of the Giants
Valley of the Giants (Arts & Crafts). Review by Aaron Shaul.
VALLEY OF THE GIANTS VALLEY OF THE GIANTS Arts & Crafts Valley of the Giants is the Canadian post-rock collective's first full on attempt at an Ennio Morricone spaghetti western score. Drawing inspiration from a viewing of the robot cowboy disaster film Westworld, the band –- comprised of members of ...
Ink 19 :: Calexico /Giant Sand
Out west in Tucson, Arizona in an area of town known as the Barrio Viejo, thr...
...as the '60s duets of artists such as Lee Hazlewood and Serge Gainsbourg. Half of the band's songs are sprawling, cinematic instrumentals that recall Ennio Morricone's best work, with a slightly more experimental tinge. When there are vocals, they are handled by Burns, whose voice is not the southern...
Ink 19 :: Goldfrapp
Multi-genre experimentation is like walking through minefields with a blindfo...
...as Goldfrapp, into that tiny echelon of achievement. Think the torch songs of Portishead, with a side order of Bjork and the cinematic drama of an Ennio Morricone, and Goldfrapp emerges. Yes, there are many artists borrowing gratefully from the sounds of the aforementioned artists, but Alison Goldfrapp...
Ink 19 :: Los Straitjackets
Supersonic Guitars In 3-D (Yep Roc). Review by Steve Stav.
...track reminiscent of the Shadows' catalogue of obscure movie themes. Speaking of movie themes, guitarists Eddie Angel and Danny Amis try some Ennio Morricone spaghetti in the surf-roots "Midnight In Salerno," take a journey to the stars with the relentless sci-fi number "Galaxy Drive" and add some creepy...
Ink 19 :: Cavity
April 1999 :: Music A-C :: Cavity (Charles D.J. Deppner)
...my eyes and ears with their Rhetoric release of Somewhere Between the Train Station, which featured blatant appropriation of the cover art off Ennio Morricone's Fistful of Film Music . Such irreverence of greatness could really piss me off, especially if the music sucked. It was like some great dare...
Ink 19 :: The Scofflaws
November 1998 :: Music P-Sk :: The Scofflaws (Julio Diaz)
...which stand toe-to-toe with Scofflaws classics like "Paul Getty" and "William Shatner"), interesting covers (Frank Zappa's "Any Way the Wind Blows," Ennio Morricone's "The Good, the Bad, and the Ugly," and the Zombies' "Time of the Season," among others), and some tasty instrumentals ("Ga Juma" and...
Ink 19 :: Borut Krzisnik
December 1998 :: Music H-K :: Borut Krzisnik (Marcus Leith)
...works that come to mind when listening to Currents of Time are Ravi Shankar’s soundtrack for the movie Charly, John Zorn’s reworkings of Ennio Morricone’s film music, and the more disturbing elements on the A Clockwork Orange soundtrack. Although short of being a masterpiece, this...
Ink 19 :: The Red Thread
After The Last (Badman). Review by Terry Eagan.
...band The Inspectors), The Red Thread performs compelling, southwest-flavored rock. Frequent allusions are made to the spaghetti western styling of Ennio Morricone in his choice of guitar riffs, yet that is only a small part of the influence. One senses the specter of all the California bands that came...
Ink 19 :: The Berg Sans Nipple
Along the Quai (Team Love). Review by Aaron Shaul.
...label's accessible folk/pop fare. There are shades of post-rock grandeur, avant-garde melodicism, Animal Collective freakiness and even allusions to Ennio Morricone's spaghetti western scores all vying for speaker time. On the opener "Ghost," the group puts heavy emphasis on the percussive drive, rooting...
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