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Ink 19 :: Focus
Focus finds William H. Macy and Laura Dern mistaken for Jews in an anti-Semitic community in the 1940s. Carl F. Gauze wonders whether director Neil Slavin needs glasses.
FOCUS DIRECTED BY NEIL SLAVIN Starring William H. Macy, Laura Dern, Meat Loaf Aday, David Paymer It's 1943, and anti-Semitism rules the nation, right along with baseball and propaganda films. Prissy Lawrence Newman (William H. Macy) is as Presbyterian as the day is long, until he needs a set of specs ...
Ink 19 :: The Rosebuds / Utah!
Split 7" (Pidgeon English). Review by Daniel Mitchell.
..." and "Up in There, Man," are considerably more enjoyable, but that's not really saying a whole lot. Utah! play jangly emo pop, with a particular focus on warm guitars, which are in the forefront of the mix; this is a good move, as the guitars are very cool. However, the fact that the drums are buried...
Ink 19 :: Terminal Sound System
RH-8SB (Release/ Relapse Records). Review by Daniel Mitchell.
..." and "Ash"), and feature really cool beats, with a slew of bass. For the most part, though, the songs are really bizarre explorations in sound, with focus being given to atmosphere more than anything else. As stated before, the mood of this one is best described with visions of winter; I'm not necessarily...
Ink 19 :: Wertham Was Right!
Ben Varkentine returns to the mysterious plane of Mark Evanier's marvelous Point Of View with a review of the writer's new essay collection, Wertham Was Right! And it's a gas...
...here, Evanier's "POV" (Point of View) column was dedicated to his take on all the various and sundry aspects of the business we call show. But the focus was on telling the tale of one boy's adventures in the comic book business, where Evanier has worked since 1969. But he has lived there, to hear him...
Ink 19 :: Alasdair Roberts
Farewell Sorrow (Drag City). Review by Aaron Shaul.
...the latter album, Farewell Sorrow has neither the ambient electronic psychedelia nor woodwind accompaniment, but these exclusions provide a wider focus on the classical arrangements of the music and Roberts' greatest strength: his wonderful voice. His anachronistic, Old English lyric phrasing slips...
Ink 19 :: Return of the Grievous Angel
August 1999 :: Columns :: Return of the Grievous Angel (James Mann)
...filled Parsons' head, and hanging out with Keith Richards seemed to alter some basic tenets of Gram's being. Accounts of him after this time seem to focus more on the partying and the drugs, not the music. Still, in 1972, Parsons recorded GP , his first solo album, followed by Grievous Angel in 1973...
Ink 19 :: Caroline's Spine
October 1999 :: Music C-D :: Caroline's Spine (Troy Mayhew)
...title track, start off slow then jump right in to the hard, thick guitar riffs that really get the crowd moving at one of their shows. The lyrical focus of the album is society, childhood, and life's everyday complexities. In a day of whiney "alternative" acts flooding the charts, Caroline's Spine is...
Ink 19 :: Dennis Dunaway (Part 1)
Gail "Desperado" Worley continues her quest for the Alice Cooper quadfecta with an interview with Dennis Dunaway, original bassist for the band, Alice Cooper.
...went into a slump by turning his back to the audience. What we did, musically, is that we jammed a lot, so we improvised and sort of dropped our focus for writing -- just churning out singles, like we had on a couple of recordings we'd done before that -- because we were trying to find our own thing...
Ink 19 :: The Nervous System
June 1999 :: Music N-P :: The Nervous System (Marcus Leith)
...-edge hard-core punk/rap of "Empire of the Dead" by Cream Abdul Babar, who come across with the intensity of Atari Teenage Riot, but with much more focus. Other highlights include former Velvet Underground drummer Moe Tucker's cover of "Louie, Louie" from her out-of-print first solo album, and the jangly...
Ink 19 :: Elysian Fields
They don't play major label politics (even sacrificing a full album because of it), they're not a lounge act, and they don't want their lead singer to be thought of as a sex symbol. So what are Elysian Fields? Even singer Jennifer Charles and guitarist Oren Bloedow have trouble explaining that to Gail Worley.
...been accused of that before, that it's depressing, and I think that people might try and lump it there because it's... real. I read articles that focus on Jennifer, personally, and I don't think they're being that fair to the band, to the music, because they are all obsessed with how sexy and sultry...
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