Search results for 'iron and and and wine'
Showing 1 - 10 of 12 matches
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Iron and Wine,Our Endless Numbered Days,Sub-Pop,Terry Eagan
IRON AND WINE OUR ENDLESS NUMBERED DAYS Sub Pop The maxim, "If it ain't broke, don't fix it," has been learned and heeded well by Sam Beam, aka Iron & Wine. With Our Endless Numbered Days, Beam continues with the style that brought him such prominence on 2002's The Creek Drank the Cradle. Singing in ...
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The Creek Drank the Cradle (Sub Pop). Review by Terry Eagan.
IRON AND WINE THE CREEK DRANK THE CRADLE Sub Pop On The Creek Drank the Cradle, Sam Beam (performing under the name Iron And Wine) reminds this reviewer of the power a lone singer and an acoustic guitar can wield. Recorded to a four track, these recordings are as affecting and intimate as anything ...
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December 1998 :: Print :: Circus of the Scars (James MacLaren)
... Brennan Dalsgard Publishers, Seattle WA Just put the damn thing down. Gotta write something about it right now. Phoo. Where do we start here, boys and girls? Hmm; perhaps the psychotic photo insert in the middle of the damn thing. Lord knows, that’s what everybody around here couldn’t get ...
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Peter Himmelman's longevity in the music business is proven, and his reggae-flavored The Pigeons Couldn't Sleep showcases the versatility and range his success is built on. Ink 19 is pleased to speak with Peter about his new project, his past, and his future.
PETER HIMMELMAN by Linda Tate Peter Himmelman's longevity in the music business is proven by his multi-faceted talent and having irons in many fires. His success began with the band Sussman Lawrence in his home state of Minnesota, grew into his solo material, his Grammy winning children's album, and ...
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The Harlequin EP (Highwheel). Review by Matthew Moyer.
LA SCALA THE HARLEQUIN EP Highwheel La Scala front man Balthazar de Ley is a man with iron lungs and a husky baritone that eagerly plumbs the same depths as a Jarvis Cocker, for instance, over the straight rock thing mined in previous bands Menthol and Hum. He founded this outfit of gypsy Bad Seeds ...
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III (Domino). Review by Jen Cray.
SEBADOH III Domino No one will ever understand how much Sebadoh, and the album III truly meant to me when I was 16 years old. Lou Barlow's (originally from Dinosaur Jr.) heart-aching acoustic pleas for love intermingled with Eric Gaffney's punk explosions --and it was blissful. The copy I had growing ...
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OCS,2,Narnack Records,Terry Eagan
OCS 2 Narnack Records John Dwyer has crafted the come down album of the year. Eschewing the strum and drang he’s known for with his indie rock, balls in your face band, The Coachwhips, Dwyer is content to wallow in an acoustic-cum-morning-after-meltdown. Acoustic guitar finger picking and some murky ...
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In Our Nature (Mute). Review by Jen Cray.
... in a dimly lit coffee shop. He's the shadow in the corner, playing an acoustic guitar to himself as much as for the room. With a soft strum, and a tendency to lightly beat on his instrument as if it were a drum, his approach to playing is quietly inviting - so much so that even the old guys playing ...
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Stay in the Shade EP (Hidden Agenda). Review by Aaron Shaul.
JOSE GONZALEZ STAY IN THE SHADE EP Hidden Agenda When did folk covers of electro-pop hits become the norm? Starting with Iron & Wine's version of Postal Service's "Such Great Heights," the movement has been carried by Swedish troubadour Jose Gonzalez, with his interpretation of Knife's "Heartbeats ...
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A featured profile in both the local weekly and in the Orlando Sentinel newspaper helped to pack The Social for The Oaks' first ever headlining gig. Jen Cray was amongst the crowd to lend her support.
... JASON CHOI & THE SEA, THE NORTHERNESS Orlando, Fl Jan. 6, 2007 by Jen Cray Jen Cray Jason Choi & The Sea A featured profile in both the local weekly and in the Orlando Sentinel newspaper helped to pack The Social for The Oaks' first ever headlining gig. With the three bands billed all calling Florida ...
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