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Search results for 'james and taylor'
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Ink 19 :: Alex Taylor
July 1999 :: Music T-Z :: Alex Taylor (David Whited)
Alex Taylor Dinnertime Capricorn This is a re-issue of a 1972 recording featuring Chuck Leavell and Jimmy Nalls of Sea Level fame. On this release, Taylor and company cover a variety of songs by the likes of Randy Newman, Bob Dylan, Chester (Howling Wolf) Burnett, Jessee Winchester, Stephen Stills ...
Ink 19 :: Sally Taylor
Sally Taylor certainly has the genetics to make it in the music business. The...
SALLY TAYLOR APT. #6S Blue Elbow Sally Taylor certainly has the genetics to make it in the music business. The daughter of James Taylor and Carly Simon has released her second CD, Apt. #6s. Even with the superstar pedigree, Sally Taylor is pursuing the indie route with her music, which shows obvious ...
Ink 19 :: James Taylor
October Road (Columbia). Review by Stein Haukland.
JAMES TAYLOR OCTOBER ROAD Columbia It's a good sign that James Taylor -- the prototypical "suffering artist with guitar" of the '70s -- has stopped begging for sympathy and understanding now that the world loves and respects him and he regularly hangs out with the rich and beautiful Grammy-winners ...
Ink 19 :: Swayzak
Swayzak, David "Brun" Brown, James Taylor and Kenny Paterson, Mathilde Mallen, The Long Night, Richard Davis, My House,Swayzak,Loops From The Bergerie,!K7,Ben Varkentine
...mail, see, from the good people at Backspin promotions of Brooklyn. It's by a trio called Swayzak, consisting of (it says here) David "Brun" Brown, James Taylor and Kenny Paterson. The James Taylor in question, by the way, is not the laid-back-Martha's Vineyard sounding fellow. Nor is he the leader...
Ink 19 :: David Bowie
The Rise and Fall of Ziggy Stardust and the Spiders From Mars: 30th Anniversary Edition (EMI). Review by James Mann.
...of a handful of records that you can honestly say changed everything that came after it. Based partly on the rise and fall of British rocker Vince Taylor, who went from rowdy rocker (it's his "Brand New Cadillac" on The Clash's London Calling) to onstage babbling Jesus freak in the span of a few years...
Ink 19 :: Jesse Harris & The Ferdinandos
The Secret Sun (The Verve Music Group). Review by Margie Libling.
...the album's opening song, sets the pace for a sleepy summer-y album -- perfect for those hot, lazy days. Harris' voice is a cross between Bob Dylan, James Taylor and Tom Petty. His lyrics are sentimental and touching, but not depressing. In fact, The Secret Sun is actually rather uplifting. "What Makes...
Ink 19 :: James Cotton Blues Band
35th Anniversary Jam (Telarc). Review by Bill Campbell.
JAMES COTTON BLUES BAND 35TH ANNIVERSARY JAM Telarc To spend 35 years in the entertainment industry is an accomplishment that must bear a lot of scars. While most of them are definitely on the larynx of this legendary harpist, James Cotton is still one hell of a performer. With a cavalcade of some ...
Ink 19 :: Jeff Beck
Jeff Beck at the Tabernacle in Atlanta, GA on March 5, 2001. Concert review by James Mann. Photos by John Davisson.
JEFF BECK The Tabernacle, Atlanta, GA March 5, 2001 by James Mann John Davisson Jeff Beck It is one of my serious regrets that I was unfortunately born years too late. If I had been a youth in the '40s and '50s, I would have camped out in New York City and seen Charlie Parker, Miles, and the rest ...
Ink 19 :: Caustic Eye from a Straight Guy
For a brief while, James Mann puts the old 78s down and clues us in on those few things he liked in 2003 that weren't around in 2002.
CAUSTIC EYE FROM A STRAIGHT GUY THE YEAR 2003 IN REVIEW by James Mann In reviewing what I spent the majority of time enjoying during 2003, I discovered that most of it has no place on a year-end, best of list, simply because it wasn't released this year -- or this decade. I listened to a lion's share ...
Ink 19 :: Blues Power
September 1999 :: Music A-B :: Blues Power (James Mann)
...made in the same studio somewhere in Chicago on a machine. However, there are moments on this disc that rise above the rest. Honeyboy Edwards and James Cotton slay on "Crossroads," in a version more faithful to the Robert Johnson original than Clapton's Cream version. Ann Peebles' remarkable voice...
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