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Ink 19 :: The Death of Tara and "The Dead/Evil Lesbian Cliché" 2
The Death of Tara and "The Dead/Evil Lesbian Cliché" (Ink 19, July 2002)
...itself, taken by itself, did or did not descend into offensive stereotypes, harmful imagery, and poor writing. But I can't consider that to be the main point. Because the show isn't really being taken by itself. It can't be. I'd be the first to admit that, if there were a reasonable number of other...
Ink 19 :: Kiln
Daneil Gill corresponds with Clark Rehberg of Michigan-based post-rock collective Kiln to discuss the band's recording philosophies, heaenly bodies, and the 700-lb. gorilla of experimental rock, Radiohead's Kid A.
..., as we felt it more succinctly implied our process of composition, which by this time had developed to rely heavily on the recording studio as our main instrument of 'idea transference'. Is the Thalassa label owned/operated by members of Kiln? If not, who runs it and what other artists are on its roster...
Ink 19 :: black tape for a blue girl
Dave Aftandilian plays "20 Questions" with black tape for a blue girl (and Projekt Records) main man Sam Rosenthal, for an in-depth look at their new album, the scavenger bride.
...play? Was this theatrical aspect something you consciously strove for, or did it just emerge naturally as you worked on the album? There are three main characters: the bride, the Schavager, and the livery of bachelors (who are really a bunch of different, unidentified males). The theatrical aspect became...
Ink 19 :: Charles R. Cross
Jimi Hendrix
...up off-the-record theories on Joe Hendrix's controversial DNA test, which concluded that Al was not his father. - S.S.] It seems that one of the main themes of the book -- of Jimi's life -- is yearning. He longed for a home that he really never had, for his father's acceptance, for his mom. Very, very...
Ink 19 :: Reproductions
With so many indie pop bands turning to the synth-heavy, lush-yet-sparse soun...
...darkwave take on ³Human,² and starts the record solo with a snippet of ³Get Carter.² Elsewhere, most tracks either stick pretty faithfully to the source material or warp it into something all their own, both with varying results. Barcelona (one of the most obviously League-influenced acts on the record...
Ink 19 :: Large Professor
1st Class (Matador). Review by Bill Campbell.
LARGE PROFESSOR 1ST CLASS Matador Ah, "Looking at the Front Door," "Just a Friendly Game of Baseball." Remember those jams? Remember Main Source? Remember how cool Large Professor sounded? OK, if you don't, I don't know how much value 1st Class will have for you. Because nostalgia largely influences ...
Ink 19 :: The Chieftains
May 2000 :: Ink Spots :: The Chieftains (Carl F. Gauze)
...as you grew up, or had the 20th century started to push it away? Well, I grew up in that environment of music and song and dance. Dancing was the main source of entertainment, particularly in my grandmother's house in the Midlands. That was up in the mountains, with no such thing as electricity or running...
Ink 19 :: Bandits and Bibles
Carl F Gauze delves into the past with this interesting collection of writing by prisoners from the 19th century.
...collecting writings of convicts from 100 years ago, and assembles them into a fascinating narrative of just how bad things can really be inside. The source material is hard to find, as few prisoners were literate, and jailhouse writing is never encouraged. However, from this unpromising field comes...
Ink 19 :: Phylr
July 1998 :: Ink Spots :: Phylr (drew West)
...classical, jazz, dance, soundtrack work, and basic noise. Since he does sample, it usually means the list of bands funneled into his ears become the source of raw material, pre-"sampled," of course. Electronic stuff...square pusher.....We.......jazz.....Charles Lloyd......rock and classical... I listen...
Ink 19 :: Ska-tastrophe
December 1997 :: Ink Spots :: Ska-tastrophe (Julio Diaz)
...that I choose to review. At the same time, that's really not possible completely, in a unilateral way, because ska is still such a small thing. The main people involved, the bands, artists, and labels, are all kind of involved in keeping it together, and there's a lot of overlap, and there's no way...
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