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Search results for 'metal and machine and music'
Showing 1 - 10 of 53 matches
Ink 19 :: Smithwick Machine
April 2000 :: Ink Spots :: Smithwick Machine (Andrea Thompson)
SMITHWICK MACHINE by Andrea Thompson The first time I saw Smithwick Machine was at the 1999 Atlantis Music Conference. Photo-god Frank Mullen and I were hanging out at the Echo Lounge. He said, "prepare to be rocked," in the way that only Frank can say it. I knew he meant business. Standing in front ...
Ink 19 :: Bergraven
Matthew Moyer talks with atmospheric metal mastermind Per Gustaffssons, aka Bergraven about creating music in isolation, the genius of Lindsey Buckingham, and what makes metal an ideal form of expression.
BERGRAVEN NO PEERS Matthew Moyer One of the more surprising and inventive metal albums of 2007 had to be Dцdsvisioner by Swedish outsider Bergraven. Consisting solely of the lone Per Gustaffssons, the album he crafted in almost complete hermetic solitude is in turns violently harsh, beautifully lush ...
Ink 19 :: Atomic Clock: An interview with Gene Hoglan
From Strapping Young Lad to Death to, um, Dethklock, metal drummer Gene Hoglan is one of metal's scarce renaissance men. Gail Worley sat down with the great one to talk shop.
...his drumming influences and he was going on and on about this guy Gene Hoglan from a band called Death, who was just the baddest badass in extreme metal drumming. This was about five years ago. Or maybe longer. I don’t really remember what year it was, I just remember I had to look up Gene’s name...
Ink 19 :: Decapitated
death metal,grind core,thrash,Decapitated,The Negation,Earache,Daniel Mitchell
...my computer's audio program provides a small half second of dead air, thus making it so that each song has 20 half second spaces interwoven with the music. Moronic concept, and completely annoying! The music, however, is high quality, violent and devastating death metal of the utmost caliber. The vocalist...
Ink 19 :: 1349
black metal,1349,Beyond the Apocalypse,Candlelight,Daniel Mitchell
...member's face donning an insidious grimace. Pretty sweet! I actually like this sophomore album from 1349 quite a bit, and I am not a fan of black metal. I usually find black metal much too pretentious and corny for my taste. Thankfully, the corniness of 1349 stops with their corpse paint and silly outfits...
Ink 19 :: Evergreen Terrace
evergreen terrace,hardcore,writer's block,covers,cover songs,metal,Evergreen Terrace,Writer's Block,Eulogy,by Nick Plante
EVERGREEN TERRACE WRITER'S BLOCK Eulogy Music Industry Axiom #14: Cover albums suck. It's true, I swear. As much as you love seeing your favorite band do a cover during a live show, it usually translates to pure, unadulterated suck when included on a release. But the aptly titled Writer's Block isn ...
Ink 19 :: Swarm of the Lotus
metal,sludge,screamo,Swarm of the Lotus,When White Becomes Black,At A Loss Records,Daniel Mitchell
...A Loss Combining equal parts stoner, sludge, math and death, Swarm of the Lotus is an up and coming new star in the dark realm of terrifyingly heavy music. From start to finish, When White Becomes Black kicks my ass much in the same way that Dillinger Escape Plan's first full length did. There appears...
Ink 19 :: Grief
October 1998 :: Music D-G :: Grief (David Lee Beowulf)
Grief Torso Pessimiser Seven songs about nothing but ugliness, abuse, death, pain, loathing, and the harshness of life. All put to metal music that simply is incredible. The music is slow, extremely heavy, Black Sabbath-like, and full of that ol' doom and gloom. How can music that's so slow be so heavy ...
Ink 19 :: Deep Purple
November 1998 :: Music C-D :: Deep Purple (David Lee Beowülf)
...them back around 1973. My pal Rick's older, older brother, Peter, was out of high school at the time (I was 10) and Pete was into all sorts of crazy music, especially Alice Cooper and Deep Purple. Well, one day I got a look at Deep Purple's Machine Head! which scared me so much that I trembled whenever...
Ink 19 :: Zimmers Hole
November 1998 :: Music U-Z :: Zimmers Hole (Ed Furniture)
..."Fully Packed" sounds like someone had a little too much sugar. That opera voice on "Bred" is fucking perfectly placed. The line about the sword in "Metal" is brilliant. Track 15 has 4 songs on it, spaced out over 10 minutes. The first one is a monotonously pounding song with sci-fi keyboards called...
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