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Search results for 'ray and price'
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Ink 19 :: Stevie Ray Vaughn and Double Trouble
July 1999 :: Music T-Z :: Stevie Ray Vaughn and Double Trouble (Hal Horowitz)
Stevie Ray Vaughn and Double Trouble Texas Flood (1983) Epic/Legacy Stevie Ray Vaughn and Double Trouble Couldn't Stand the Weather (1984) Epic/Legacy Stevie Ray Vaughn and Double Trouble Soul to Soul (1985) Epic/Legacy Stevie Ray Vaughn and Double Trouble In Step (1989) Epic/Legacy "He played like ...
Ink 19 :: Roll Your Own
David Whited offers a compelling argument for dumping the majors to the artist that may be considering taking the self-distributed indie plunge.
...just to get recorded. They had little other choice. Maybe they could get some backing from some Sugar Daddy or Sugar Mama, but that came with a price as well, as Stevie Ray Vaughn found out when he was presented with a tab when he finally started enjoying major success. The gear necessary to just creating...
Ink 19 :: In Perspective: Ramblin' Men
In the midst of legal battles with the artists themselves, Polydor has reissued the first solo efforts from members of The Allman Brothers Band: Gregg Allman's Laid Back, The Gregg Allman Tour, and Playin' Up a Storm, and Richard "Dickie" Betts' Highway Call, Hal Horowitz takes an in-depth look to put these reissues "In Perspective."
...at the time (think Linda Ronstadt), Allman turns up the heat on Clarence Carter's "Sweet Feelin'," a few nifty originals, and R&B nuggets like Ray Charles' classic "Brightest Smile in Town." A toothless jazz-fusion instrumental, "Matthew's Arrival," is a time-waster on an already too brief album, but...
Ink 19 :: Rare Earth
Best Of: The Millennium Collection (Motown/Universal). Review by Hal Horowitz.
...Collection series is, at 70 minutes, not only a great buy, but the only way currently available to hear the full 21:20 of "Get Ready," 7:19 of Ray Charles' "What’d I Say" (almost unrecognizable from the original in a rocked up arrangement that oddly works) and 17:19 of "Ma." The latter tune was sort...
Ink 19 :: The Videohound's Horror Show
October 1998 :: Print :: The Videohound's Horror Show (David Lee Beowülf)
...time again, I'm proven right. Time and time again, I pick up a horror film book off a coffee table and there's no mention of the contributions of Ray Bradbury. Edgar Allen Poe is given a gratuitous nod, but it's Stephen King and Clive Barker who are the real "masters." Too often Jack Pierce and Dick...
Ink 19 :: A Year in the Life, Part Two
Don't stop now! There's still plenty more music business horrors to be told by The Rosenbergs' David Fagin.
...Can you say "Holy anti-trust, Batman?!" This is why Napster just won an important stay in the courts. The judge actually agreed that the labels are "price fixing" amongst themselves -- duh, and nicotine is not addictive. Whose Benefit is This, Anyway? Now, let's look for a moment at the RAC (Recording...
Ink 19 :: Hal Willner
February 1998 :: Ink Spots :: Hal Willner (Ian Koss)
...my kind of combinations on TV. But I've been able to do most of what I've wanted to do -- at the expense of my hair and personal life. There's a price! [Laughs] These projects get pretty involved... how do you know when you're done? Oh, you know when you're done. It's like running around the bases....
Ink 19 :: Peter Bagge
December 1998 :: Ink Spots :: Peter Bagge (Charles D.J. Deppner)
...-- too few to fully illustrate my point. For a few fortunate souls, a certain comic called Hate, despite the misgivings of its title, offered a ray of hope that they were not alone amidst the stoners, slackers, and ne'er-do-wells of the twenty-nothings. Hate illustrated that there was someone out there...
Ink 19 :: Cake Like
September 1999 :: Ink Spots :: Cake Like (Marcel Feldmar)
...John Zorn's Avant label. The band was given complete artistic freedom, and the only catch was that the CD would be released as an import only. Small price to pay for the debut of a strong band. Delicious is the first chapter in the story, and a necessary listen to follow the growth of the band. Following...
Ink 19 :: Mike Ireland & Holler
Try Again (Ashmont). Review by James Mann.
...'t sell a boatload more than its predecessor. The reason for that is due primarily to the fact that Ireland plays music in the style of George Jones, Ray Price and Charlie Rich (whose "Life Has Its Little Ups & Downs" is given a swampy shakeout here), and hell, that stuff doesn't sell particularly well...
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