Search results for 'saint and low'
Showing 1 - 10 of 14 matches
100% match
Mellow, laid-back tunes, like smoking velvet light against red light backdrop...
SAINT LOW SAINT LOW Thirsty-Ear Mellow, laid-back tunes, like smoking velvet light against red light backdrop. Female vocals roll against cool lounge sadness. Reminds me of something caught between the darkness of the Gunga Din and the just-want-to-close-my-eyes-and-sleep-forever shadows of Mazzy Star ...
88% match
Tricks For Dawn (spinART / Cooking Vinyl). Review by Eric J. Iannelli.
MARY LORSON & SAINT LOW TRICKS FOR DAWN spinART / Cooking Vinyl What began as a side project for former Madder Rose frontwoman Mary Lorson has since become a full-time affair. Now, on the strength of one previous album, she has divorced herself from the rest of Saint Low. The change, however, is in ...
9% match
April 1999 :: Music V-Z :: Bill Wolford (Anton Wagner)
... family. Though none of tracks here instantly grab me, I must admit that I have grown fond of more than a few after repeated listening -- like the low-key "Jazz Musik," with a coolly swaggering bass line and chorus of "jazz music, can't stand it." Plenty of inspiration for those who are patient. American ...
9% match
February 1999 :: Music C-E :: The Crumbs (David Lee Beowulf)
The Crumbs Low and Behold Lookout! One more great collection of garage and rockabilly trash from the Crumbs. They have a crusty, gritty vocal sound mixed with sometimes hard-rockin', sometimes on the hellbilly edge, but always full of out-of-control rock and roll. The quick-rockin' opening rockabilly ...
6% match
November 1999 :: Live Ink :: Gov't Mule (Matt Thompson)
... types of Gov't Mule shows. The first is when the power blues-influenced trio sticks with their own great material, such as "Mule" and "Temporary Saint." The second is where the band dips into their influences of Cream, Hendrix and Free and do a night of heavy blues jamming. The third and final is a ...
6% match
The Voice of God (The Music Cartel). Review by Nathan T. Birk.
... voice in the (overcrowded) crowd, Sloth aren't doing anything remotely new, they're just doing it well – so well, in fact, that when the submerged, low-end riffs of guitarist Roland come rolling and roiling through, all head-nodding and hypnotizing, you can't help but raise your hands in rapture to ...
6% match
Transmission (Thirsty Ear). Review by Eric J Iannelli.
... aiming for, Transmission falls despairingly shy of the mark. As for Thirsty Ear, whose label roster includes Brian Eno, The Church, DJ Spooky, and Saint Low, signing Gay Dad seems to have been an awful mistake. Thirsty Ear Records: http://www.thirstyear.com Eric J. Iannelli
5% match
Use Once and Destroy (Sanctuary). Review by Matthew Moyer.
... his fifteenth renaissance as one of metal's finest vocalists to date -- his performance is all over the map. High pitched black metal shrieks, low death metal growls, pure Pantera power, and spare moments of surprising emotional subtlety are just a few of the styles he=EDs employing here. And the lyrics ...
4% match
The Final Sign of Evil (SPV). Review by Matthew Moyer.
... like a codeined Motorhead jamming out with a pilled-up Bathory, all wearing those cool leather jackets with the denim over them and the obscure Saint Vitus and Anvil (etc.) patches. Yep. "Witching Metal," "Blasphemer," "Outbreak of Evil" - goddamn it's good to hear these seminal tracks again, kept simple ...
4% match
Mothers, Teachers, Destroyers (Southern Lord Records ). Review by Matthew Moyer.
... Records Mothers, Teachers, Destroyers' opening number, “The Crossing,” is most reminiscent of Hidden Hand mainmain "Wino" Weinrich's past work with Saint Vitus. It's an ominous doom stomper that morphs into a faster Joy Division-esque minimalism and then devolves back into dark brooding. Wino’s vocals ...
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