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Ink 19 :: Jenny Choi and the Third Shift
Grand And Ashland (Ona). Review by Julio Diaz.
JENNY CHOI AND THE THIRD SHIFT GRAND AND ASHLAND Ona Grand And Ashland is the second album from Chicago-based singer/songwriter Jenny Choi, but served as my introduction to her work. And it’s certainly enough to make me want to seek out more! On first listen, it’s not hard to imagine that she gets ...
Ink 19 :: King Crimson
Ladies of the Road: Live 1971-1972 (Discipline Global Mobile). Review by Matt Cibula.
...boring, sure, but exhilarating too. The solos are great, and they're edited together so expertly that you have to listen closely to hear the shift in backing band dynamics to know when a new one has started. But mostly you won't do that because you'll be all like "ah my ears are fried from all those...
Ink 19 :: American Movie
April 2000 :: Screen :: American Movie (Carl F Gauze)
...eyes and slurred speech could be Method skill, or just cheap brewski. Mark's folks have a Germanic disdain for anything short of a good second shift job at Allis Chalmers, and you can just about smell Uncle Bill and his $280k. Low budget mockumentaries shall dog us for years to come -- this one at least...
Ink 19 :: Megadeth
Frustrated by the near-absence of Megadeth drummer Jimmy DeGrasso on the band's recent VH1 Behind The Music? We've got you covered, with Gail Worley's extended chat with the man behind the drums for one of metal's most venerable and influential bands.
MEGA-DRUMMER: AN INTERVIEW WITH JIMMY DEGRASSO OF MEGADETH by Gail Worley Speed metal legends Megadeth finally got their grand pop cultural moment in the spotlight last Sunday, when VH1 debuted Megadeth: Behind The Music. As Behind The Musics go, this was an awesome spectacle of sleaze and debauchery ...
Ink 19 :: The Verve Pipe
Hit singles can be a double-edged sword, especially when the single in question represents a departure for the band. Case in point, The Verve Pipe, who had trouble finding radio airplay after graduating from their ubiquitous hit single, "The Freshman." Singer Brian Van Der Ark relates the hard lessons of the music biz to Gail Worley.
...wants every day. Sometimes, while we're getting a guitar part down, he might get a keyboard idea, run over to the piano and play something. Then we shift gears, and get that piano part down on tape within five or ten minutes. It's just amazing how it came together. Songs were approached in a way where...
Ink 19 :: The Queers
August 1999 :: Music Q-S :: The Queers (Ryan Eckhart)
...Weasel a taste of their new songs. Recorded straightforward and raw, this is great for those of us who enjoyed their stripped down punk rock days. Shift from that to the songs from the Bubblegum Days 7" and a version of the syrupy pop "I Can't Get Over You" and you have the full spectrum of changes...
Ink 19 :: The Limes
Turn Your Lights Off (Deluxe). Review by Marcel Feldmar.
..., hook-laden pop rock of the big grin kind. You can't help but smile (coincidentally, The Limes' first release was titled Smile). These Dallas boys shift effortlessly through a few styles of rock, but the common thread is intensity and solidity. There's a straight-ahead drive that keeps the songs moving...
Ink 19 :: Autechre
December 1998 :: Music A-B :: Autechre (drew West)
..., rhythms, and structure to find the united beat. Once you find it, you are propelled down a path of enlightenment and understanding about how things shift and change over the course of listen. What I have found to be the most beautiful part of LP5 is its unique ability to tell a different story depending...
Ink 19 :: Radiohead
Radiohead, with The Beta Band and Kid Koala at Stone Mountain Park in Atlanta, GA on July 30, 2001. Concert review by James Mann. Photos by Alice Barkwell.
...the level that Radiohead has achieved -- best-selling albums, sold out concerts, splashy coverage on MTV and such -- the focus of the band seems to shift from innovation to encampment. Rather than push themselves into new areas, they become timid and fearful of losing the core audience that they have...
Ink 19 :: Smart Went Crazy
April 1998 :: Music S-T :: Smart Went Crazy (T.J. Stankus)
...or abrasive. They remind me at times of a tamer Shudder To Think. At best, SWC combine control and perpetual motion, careening with finesse as they shift musical gears, each new part like coming around a corner to a nice surprise. At worst they fall into a groove and just stay there, dragging. Kudos...
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