Search results for 'something and corporate'
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Brian John Mitchell is a busy man leading Remora and running the Silber Records label, but he throws our Stein Haukland a few moments to get us up to speed on slo-core.
... gained from the past three years. So I put out the label sampler Demain and Aarktica and Clang Quartet's first albums and a comp titled Zann within something like three months of each other. And basically things kind of worked and have been going ever since. Things haven't been too financially successful ...
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aSinger/songwriter Mary Prankster may have taken her name from Ken Kesey, but her raw, explicit, and clever lyrics are all her own. Phil Bailey catches up with the woman behind Blue Skies Over Dundalk and the brand new Roulette Girl.
... a disagreement it was just he had one vision of the future of the band and we had another. If it wasn't for me like saying all Backstreet Boys or something. Who's that guy, Lou Pearlman? The guy who did N'sync? It wasn't anything like that. So what are your plans? We're kind of doing this one step at ...
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As Gail Worley herself might say, "It's all about hangin' out with rock stars." Gail hung out with plenty of rock stars this year, and here presents the 19 most memorable things they said to her.
... where that came from. We see so much on the road; you talk to so many people. Then the next week, on somebody's Web site, there's a new-flash about something. The Internet is just filled with misinformation, even your own authorized Web sites oftentimes are just filled with it. 'Andy did not have surgery ...
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July 1998 :: Music S-T :: Sonic Youth (Terry Eagan)
... subjects that the album begins to bog down. The sporadic dissonance is no longer innovative, but tiresome. Kim Gordon's attack on "male, white, corporate oppression" is no longer witty and innovative, but tiresome and mundane. Furthermore, the album lacks the spirit of their earlier releases. It is ...
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August 1998 :: Feature :: A Girl's Gotta Make a Living (Gail Worley)
... a staff of fewer than five employees. Yvonne operates her own PR firm in New York City. With years of experience at both major labels and large, corporate music PR firms, her reasons for starting her own company are not unique. "I was sick of working for people who basically just got in the way of my ...
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December 1997 :: Music P-S :: The Strangeways (Julio Diaz)
The Strangeways Corporate Monkey Prime 8 I was wholly unprepared for exactly how good this band is. When you get really involved in a certain scene, you tend to get certain ideas into your head. With me, the idea was that if I hadn't seen a central Florida ska band yet, they must either be really young ...
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Mitch Easter, Let's Active, the dBs, Rob Levy, interview
... - Mitch Easter 2 What is your creative process -- how do you make songs? I get a guitar usually, and just sort of vaguely play and sing and sometimes something just happens which seems worthy of further attention. Sometimes I pick up a guitar at practice or whatever and everything sounds like "a song ...
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March 1998 :: Ink Spots :: Princess Superstar (David Lee Beowülf)
... greed and everything else necessary to "hit it big" with that huge record contract. Obviously the key to success is going for the gold. Climb that corporate rock ladder! Judging from the pop charts and MTV, the magic formula to success in the world of music, really perfected in the late 1970s, is to ...
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August 1998 :: Feature :: It's Still Alive (Jen Ryan)
... lack of musical progress at the station and the fact that my boss was an asshole. Currently, I work for -- well, let's just say I'm deep in the corporate-checkbook number-crunching end of the biz. I'm not saying I'm an expert in the field. It just happened that I'm a writer who, for the better part ...
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