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Search results for 'suzanne and vega'

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Ink 19 :: Suzanne Vega

100% match

Songs in Red and Gray (A&M). Review by Julio Diaz.

SUZANNE VEGA SONGS IN RED AND GRAY A&M Suzanne Vega is a national treasure, and one that's been sorely missed in the five years since her last effort, 1996's Nine Objects of Desire. As ever, Ms. Vega is a consumate storyteller, and Songs in Red and Gray finds Ms. Vega using her deceptively simple melodies ...

Ink 19 :: Self

6% match

Lots of artists like to go into the studio to play with all the high-tech toys, but Self went in to record their new album on actual toys! Matt Mahaffey reveals the secrets of Gizmodgery to Bryan Tilford.

... with those sly constrictor melodies, and that classic sound-of-Self such as "Wide Awake At 7" and "Hey Deceiver," plus meaty remakes of "Dizzy" and Suzanne Vega's "Fat Man & Dancing Girl." And that doesn't include the BWG companion Brunch, three songs apparently too genius for their mother disc. Self ...

Ink 19 :: Mitchell Froom

6% match

August 1998 :: Music C-F :: Mitchell Froom (Ian Koss)

... with Froom and a couple of Los Lobos in the Latin Playboys), Dopamine also showcases the talents of Soul Coughing's M. Doughty, Lisa Germano, Suzanne Vega (Froom's wife), Mark Eitzel, Sheryl Crow, the Attractions' Bruce and Pete Thomas, and several more. The result is an interesting blend of Froom's ...

Ink 19 :: Beer and Loathing in Austin

6% match

May 2000 :: SXSW :: Beer and Loathing in Austin (Phil Bailey)

... . Ale House and the Japanese folk singer, Rika Shinohara. Shinohara has fine-tuned the Lilith Fair sound and turned it Japanese. Bits of Sheryl Crow, Suzanne Vega, and of course, Joni Mitchell run through her songs. She sings both in Japanese and English. She sounds more confident in Japanese, but her ...

Ink 19 :: Lauren Hoffman

5% match

December 1997 :: Music G-K :: Lauren Hoffman (Hal Horowitz)

... Megiddo Virgin Just to prove that not every nineteen year old wants to be another angry Alanis, here's one that yearns to be another self-reflective Suzanne Vega. It's a less commercially viable role model, but it makes for better music. Charlottesville, Virginia's Lauren Hoffman has a knack for a sophisticated ...

Ink 19 :: Julia Fordham

4% match

Steve Stav finds himself tongue-tied when he engages his favorite chanteuse-next-door in a revealing Q&A.

... pretty much set me in good stead for the rest of my life. Some people have a sort of... great sound and unique quality to their voices -- I like Suzanne Vega, she's got a lovely "sound;" it's not that strong, but it's very sort of... not passionate, but emotive. She makes her statement, she delivers ...

Ink 19 :: The Dismemberment Plan

4% match

May 2000 :: Ink Spots :: The Dismemberment Plan (Andrew Chadwick)

... 'll see."    Finally, I wondered how much of Morrison's lyrical content is autobiographical. Intriguingly, he answers with an improvised vignette: "Suzanne Vega: 'Leonard, what do you think of confessional songwriting?' Leonard Cohen: 'You do whatever you must to make the song work. Lie, tell the truth ...

Ink 19 :: Mia Doi Todd

4% match

The Golden State (Columbia). Review by Bettie Lou Vegas.

... attention closely or miss the depth and amazing detail of the shadows and light. Her music is organic in a way reminiscent of Michelle Shocked or Suzanne Vega; her pure voice is a satin ribbon, threading through each track and weaving one song into the next, creating a rich tapestry with the accompanying ...

Ink 19 :: Meg Hentges

4% match

June 1999 :: Music F-I :: Meg Hentges (Phil Bailey)

... kicks out hard-edged songs that fall uncomfortably into the netherworld between rock and folk. She shares the field with women like Ani DiFranco and Suzanne Vega, but has created her own voice. Hentges' songs are potent, personal messages, without becoming whiny or manipulative. Hentges' songwriting ...

Ink 19 :: Yeah Yeah Yeahs

3% match

Yeah Yeah Yeahs EP (Shifty / Touch And Go). Review by Kurt Channing.

... " starts like a sparse B-52's tune, but then flip flops between Napalm Death-like blasts of screaming and an angular vocal bit that reminds me of Suzanne Vega's"'Tom's Diner." The opening "Bang" has a superfunk riff to counterpoint Karen O's vitriol -- "you ain't no baby no more... Baby." Ouch. Following ...
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