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Search results for 'the and dub and pistols'
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Ink 19 :: Dub Pistols
February 1999 :: Music C-E :: Dub Pistols (Tony Coulson)
Dub Pistols Point Blank 1500 Records The Dub Pistols assume their position as leaders of the Big Beat/Dub ghetto. With their genius at full stance, Point Blank exercises loads of contagious grooves through layers of sweltering beats, drunken reverb and transglobular words. There is a grand sense of ...
Ink 19 :: Dub Pistols
Six Million Ways To Live (Distinct'ive/!K7). Review by Ben (Jammin') Varkentine.
DUB PISTOLS SIX MILLION WAYS TO LIVE Distinct'ive Records/!K7 Perhaps the most interesting thing about Dub Pistols as a band is that they think they're punks. Dub mastermind Barry Ashworth is quoted in their official bio as saying, "Dub Pistols are punk, because punk as an ethic means anything goes ...
Ink 19 :: Dub Pistols
Presents Y4K: Next Level Breaks (Distinct'ive Breaks). Review by Bill Campbell.
DUB PISTOLS PRESENTS Y4K: NEXT LEVEL BREAKS Distinct'ive Breaks Carrying the Y4K mix torch set ablaze by Freq Nasty is Barry Ashworth and his Dub Pistols crew. And this mix disc is about as exciting as a tooth drilling. Ashworth has unleashed a holocaust of go-for-break acid-washed house (with splashes ...
Ink 19 :: Option FM
November 1998 :: Music M-O :: Option FM (Richard T Thurston)
Option FM Electronic Transmissions Moonshine Highlights of this compilation include Tranquillity Bass "We All Want To Be Free (The Skull Valley Dub)," a classic downtempo plea for peace and sanctity within an overstuffed and hyped industry that benefits the bold and brazen, rather than the creative ...
Ink 19 :: White Noise
October 1998 :: Music S-Z :: White Noise (Richard T Thurston)
White Noise Volume 2 City of Angels If you missed out on any of the import releases of these UK singles then you'll take joy in this domestic sampler from this left-coast breakbeat label. White Noise 2 is a thorough trek through the further realm of the unlimited break. All of the tracks are beaty ...
Ink 19 :: Junkie XL
Radio JXL: A Broadcast From The Computer Hell Cabin (Koch). Review by Varkentine GSPJ.
JUNKIE XL RADIO JXL: A BROADCAST FROM THE COMPUTER HELL CABIN Koch It's a pleasant surprise to be able to say that the most effective part of this album is the songwriting. As a mix, it's a bit of a bust. Frankly, too many long stretches of generic techno make the listeners' eyes glaze over to make ...
Ink 19 :: Mötley Crüe
February 1999 :: Ink Spots :: Mötley Crüe (David Lee Beowulf and Gail Worley)
by David Lee Beowulf and Gail Worley Yeah, Mötley Crüe. Can you believe it? Dude, on the face of it, this is like me interviewing Donny Osmond (I will interview him in the future). My love affair with Mötley Crüe goes back to 1983, when I was addicted to MTV and would sit around the frat house for ...
Ink 19 :: Jack Drag
October 1998 :: Ink Spots :: Jack Drag (the band, Jack Drag. Submitted for your approval: three handsome and hilarious guys from Boston who play old fashioned reverb-drenched, '60s acid flashback rock and roll. Jack Drag could write the Handbook of Cool. Instead, they've reinvented retro-pop psychedelia poised to induce visions of paisley patterns on the air as your brain explodes with ecstasy. Appropriately, their new album is called )
JACK DRAG Kind of a Drag: The Jack Drag Interview When I was small child, my favorite TV show was Dragnet. I especially loved the episodes where Officers Gannon and Friday busted in on some hippy drug nest, only to interrupt an acid freak-out party in progress. I didn't know anything about drug abuse ...
Ink 19 :: Vortis
Take the System Down (Thick). Review by Stein Haukland.
VORTIS TAKE THE SYSTEM DOWN Thick Academic art-punk from Vortis, here, a hugely entertaining anti-capitalist and anti-technology four-piece dedicated to, well, taking the system down. Part thought provoking, part hilarious, and mainly plain weird, Vortis underline their anarchistic lyrical leanings ...
Ink 19 :: The Slits
Revenge of the Killer Slits (S.A.F.). Review by Aaron Shaul.
THE SLITS REVENGE OF THE KILLER SLITS S.A.F. It's a rare thing when a group can have fleeting brilliance with one album early in their career, disappear for decades and resurface with a sound still vital in the modern soundscape. Such is the case with The Slits; their album Cut is one of the earliest ...
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