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Ink 19 :: Mike Watt

100% match

What more can you say about Mike Watt, one of the most legendary figures ever to pick up the bass guitar? Better to let the man speak for himself -- and that's exactly what James Mann did.

CONTEMPLATING MIKE WATT "...SOMEHOW, IT'S LIKE POPEYE SAID - 'I AM WHAT I AM'." by James Mann From the legendary Minutemen to the raging fIREHOSE, or perhaps as sidemouse to J. Mascis and the Fog or Porno For Pyros, Mike Watt is one of music's more well-traveled (his current "Time to Cat Not Mouse ...

Ink 19 :: Satisfact

8% match

March 1998 :: Music S-T :: Satisfact (Anton Wagner)

Satisfact The Third Meeting at the Third Counter K Though none of the names behind Satisfact ring a bell -- David Schneider, Chad States, Matt Steinke, and Joshua Warren -- the band has a sound that belies years and years of oblique jamming and bands gone bust. Satisfact's precise and driving compositions ...

Ink 19 :: J. Mascis + the Fog

5% match

J. Mascis + the Fog at the Cotton Club in Atlanta, GA on October 25, 2000. Concert review by James Mann.

J. MASCIS + THE FOG The Cotton Club, Atlanta, GA October 25, 2000 by James Mann Previously, the loudest show I'd ever seen had been a tossup between the AC/DC with Cheap Trick show at the Fox in Atlanta, or Motorhead at the Agora back in the late '70s. That show was so loud that by the middle of the ...

Ink 19 :: All Scars

5% match

May 1999 :: 7even Inches :: All Scars (Nathan T. Birk)

All Scars 3-song 7" Ace-Fu Quite the all-star cast (hence the band's moniker?), All Scars features Washington, D.C. luminaries James Canty (the Make-Up, ex-Nation of Ulysses and Cupid Car Club), Dug Birdzell (ex-Beefeater, Rain Like the Sound of Trains, Las Mordidas, and Fidelity Jones), Jerry Busher ...

Ink 19 :: Mike Watt

3% match

June 1998 :: Live Ink :: Mike Watt (Brent Dey)

Mike Watt The Point, Atlanta 5.5.09 by Brent Dey There's a site on the Web called How Bad Mike Watt Could Kick Steve Miller's Ass (as if there's even a question!). The site was developed over a year ago to settle a fight this dude had with his girlfriend when she said Mike Watt "sucked." Being that ...

Ink 19 :: Sleater-Kinney

3% match

May 2000 :: Ink Spots :: Sleater-Kinney (Phil Bailey & Lauren Newman)

SLEATER-KINNEY by Phil Bailey & Lauren Newman Rising up from the ashes of the Riot Grrrl bands Heavens to Betsy and Excuse 17, Sleater-Kinney was meant as a side project for Corin Tucker and Carrie Brownstein. Named for the highway exit they used to get to their rehearsal space, Sleater-Kinney's sound ...

Ink 19 :: Agent 99

3% match

November 1998 :: Music A-B :: Agent 99 (Julio Diaz)

... around a core of artists who have all gone on to other high-profile projects since their sudden implosion in 1995. Agent Jay Nugent is best known as the guitarist for the Stubborn All-Stars, vocalist Dunia Best worked on the Dunia and the Stableboys project before moving on to the acid jazz/ska combo ...

Ink 19 :: C'est Mortel

3% match

C'est Mortel (Two Sheds Music). Review by Henry "Hank" McCoy.

C'EST MORTEL C'EST MORTEL Two Sheds Music This five-dude combo from Athens GA hereby kicks the asses of every other instrumental-rock outfit, hard. Twice, actually: this 71-minute record consists of two extended pieces, both of which shred and whisper and slam and cry and throb and [insert many other ...

Ink 19 :: In Zenith

3% match

August 1999 :: Music I-L :: In Zenith (Marcus Leith)

... -garde chamber jazz with a post-punk sensibility. Their songs are tightly constructed and surprisingly never run much longer than 3 to 5 minutes. The group gets their ideas out in a brief amount of time, trimming away any chance of their music turning into free jazz self-indulgence. Led by cellist Fred ...

Ink 19 :: Moth

3% match

Provisions, Fiction and Gear (Virgin). Review by Matt Cibula.

MOTH PROVISIONS, FICTION AND GEAR Virgin Moth here pulls off one hell of a bait-and-switch number on their first major-label album. The way this thing starts, you think you're hearing the second coming of cute-guy-post-punk-pop (think Blink, think Green): the blasts of guitar and simple-ass chorus ...
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