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Ink 19 :: Orbital
September 1999 :: Ink Spots :: Orbital (Michael D. Fellows)
ORBITAL by Michael D. Fellows Left to Right: Paul Hartnoll, Phil Hartnoll The bus is pulled in the back of the venue and countless men are going in and out in frustration. Orbital are not happy. For one, they have no power for the soundcheck let alone the gig later that evening. The venue the show ...
Ink 19 :: Orbital
September 1999 :: Music M-O :: Orbital (Jason Straw)
Orbital Middle of Nowhere FFRR At the first couple of listens, I really didn't like where this album was going. It had no real direction. Its beats weren't slamming enough, the bass lines weren't in my face enough. The repetition wasn't there. Now, after my sixth time listening, I am sold. The jungle ...
Ink 19 :: Rabbit In The Moon
October 1998 :: Music N-R :: Rabbit In The Moon (Richard T Thurston)
Rabbit In The Moon Remixes Volume One Hallucination Rabbit's studio tracks and remixes have been the type of recordings that both DJs and consumers alike have sought with a conviction rarely seen in late '90s post-indie/electronica movements. They are perhaps the biggest underground act that the mainstream ...
Ink 19 :: Captive Audience
February 2000 :: Ink Spots :: Captive Audience (Isaac Airbourne)
..., are you two bookworms? Even our instrumental music seems to subvocalize suppressed words. I just read a good explanation of this phenomenon in the latest Jonathan Lethem novel, Motherless Brooklyn : "The words rush out of the cornucopia of my brain to course over the surface of the world, tickling...
Ink 19 :: Pi
November 1998 :: Music P-Sk :: Pi (Carl Glaser)
Pi Music for the Motion Picture Thrive/Sire Though I haven't seen the film for this, the concepts behind it sound pretty interesting. The soundtrack easily keeps pace, with intellectual cuts from Aphex Twin, Gus Gus, Orbital, Autechre, Roni Size, Spacetime Continuum, David Holmes, Massive Attack, and ...
Ink 19 :: Free Air 2
April 2000 :: Music F-G :: Free Air 2 (Tony Coulson)
Free Air 2 Various Artists Gobang High-caliber, high-risk music to accompany any proud broken clavicle, smashed orbital, or snapped femur. As you can guess, Free Air 2 takes great pleasure in providing a highly charged backup for any death defying stunt. Motorcross happens to be the focus here. Apparently ...
Ink 19 :: GusGus
Attention (Moonshine). Review by Matt Cibula.
...like that on their new record. Not that that's a bad thing at all -- just different, and refreshing, like sorbet after a big bowl of pasta. From the second you hear new girl singer DJ Earth curl her lips around "Unnecessary" and its foxy lines "You change the tide / Send the sea to me / You make the...
Ink 19 :: Mono
March 1998 :: Ink Spots :: Mono (Anton Wagner)
by Anton Wagner Overseas interviews are the worst -- time differences, noisy lines, incorrect numbers with no hope of directory assistance... The first number I dialed to reach Siobahn de Mare, vocalist for British duo Mono, ended up being a fax number. As I was calling from work, where I have no incoming ...
Ink 19 :: Playgroup
DJ Kicks (!K7). Review by Christopher R. Weingarten.
PLAYGROUP DJ KICKS !K7 Being an '80s dance-fetishist seems like hard work. Poring over those Shep Pettibone discographies, the endless Liquid Liquid vs. ESG debates ... whew. Not to mention the tireless work of graphic designer/remixer/Output label head Trevor Jackson, whose album as Playgroup (released ...
Ink 19 :: Goldfrapp
Multi-genre experimentation is like walking through minefields with a blindfo...
.... To throw styles from all walks of contemporary listening into one blender is a daunting, indulgent task, but there are those few who meld to form the perfect cocktail for the modern-day listener. Count Alison Goldfrapp and Will Gregory, otherwise simply known as Goldfrapp, into that tiny echelon of...
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