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Ink 19 :: Nick Cave and the Bad Seeds
July 1998 :: Music C-D :: Nick Cave and the Bad Seeds (Terry Eagan)
Nick Cave and the Bad Seeds Best of Mute Nick Cave is the consummate artist. Although he has changed considerably throughout his career, he has retained a singular vision his (post)punk contemporaries have lacked. In many ways, his music leans on the folk genre for ideas and subject matter. By the ...
Ink 19 :: Nick Cave and the Bad Seeds
August 1998 :: Music C-F :: Nick Cave and the Bad Seeds (Terry Eagan)
Nick Cave and the Bad Seeds Best of Mute Nick Cave is the consummate artist. Although he has changed considerably throughout his career, he has retained a singular vision his (post)punk contemporaries have lacked. In many ways, his music leans on the folk genre for ideas and subject matter. By the ...
Ink 19 :: Nick Cave and the Bad Seeds
No More Shall We Part (Reprise). Review by Terry Eagan.
NICK CAVE AND THE BAD SEEDS NO MORE SHALL WE PART Reprise Nick Cave is the finest blues singer alive today. He doesn't perform blues in the conventional sense. His blues music is a distillation of the primal elements that make up this kind of music. It is literate and informed as much by the Hebrew ...
Ink 19 :: God Is In The House
Nick Cave, Bad Seeds, Mute, Warren Ellis, Mick Harvey, Blixa Bargeld, Jarvis Cocker,God Is In The House,,Nick Cave and the Bad Seeds,Matthew Moyer
GOD IS IN THE HOUSE Nick Cave and the Bad Seeds Mute We only wish love could be this beautiful, this glamorous, this dangerous, timeless and exotic -- poised and artful, but still spontaneous. Nope, love has changed and dimmed. Now it's either bought and sold with all the cold clinical air of the marketplace ...
Ink 19 :: Tears For Fears
Tears For Fears, Everybody Loves A Happy Ending, Curt Smith, Everybody Wants to Rule the World, Roland Orzabal, Seeds of Love,Tears For Fears,Everybody Loves A Happy Ending,,Ben "I waited 12 years for this?" Varkentine
TEARS FOR FEARS EVERYBODY LOVES A HAPPY ENDING Sony Picture this: The reconstituted Tears For Fears are giving a rooftop concert to promote their new CD Everybody Loves A Happy Ending. When suddenly a man in a Hall and Oates T-Shirt, a picture of David "the most beautiful man in the world" Sylvain ...
Ink 19 :: Nile
If Nile's debut album, Amongst the Catacombs of Nephren-Ka, was the la...
NILE BLACK SEEDS OF VENGEANCE Relapse If Nile's debut album, Amongst the Catacombs of Nephren-Ka, was the landmark death-metal album of 1998, the South Carolina quartet's newest one, Black Seeds of Vengeance, stands as the Armageddon-fulfilling estuary into the new millennium, its none-more-fitting ...
Ink 19 :: 19 Assorted Diversions
Terry Eagan offers up a list of the 19 diversions that brought him the most pleasure in 2001.
19 ASSORTED DIVERSIONS by Terry Eagan There is nothing so soothing and comforting as the steady, reliable monotony of routine. Whether that routine consists of reciting the rosary nightly with a set of well worn prayer beads or attempting the daily commute to work, the pulse and hum of a daily rhythm ...
Ink 19 :: The Gunga Din
Brought up alongside the Bad Seeds in way too many write-ups to ignore the co...
THE GUNGA DIN YOUR GLITTER NEVER DULLS Jetset Brought up alongside the Bad Seeds in way too many write-ups to ignore the connection, the Gunga Din is dark and stylish and cigarette-stained. The sultry vocals make me ache, it's true, but there's just too much beauty for it to really hurt. Think the ...
Ink 19 ::
Horrified Eyes / Maintaining My Grave 7" (Gold Standard). Review by Stein Haukland.
[an error occurred while processing this directive] [an error occurred while processing this directive] THE STARVATIONS HORRIFIED EYES / MAINTAINING MY GRAVE 7" Gold Standard Six years into their career, and LA's The Starvations are just about starting to cause a little stir -- and such attention is ...
Ink 19 :: Boys Don't Cry
May 2000 :: Screen :: Boys Don't Cry (Phil Bailey)
Boys Don't Cry Directed by Kimberly Peirce Starring Hillary Swank One of the best things about Boys Don't Cry is what it isn't. It is not a standard, lifeless bio-pic, it is not a condescending preach piece full of "can't we all just get along" sentiments, nor is it a typical Hollywood formula film ...
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