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Ink 19 :: The Slits
Revenge of the Killer Slits (S.A.F.). Review by Aaron Shaul.
THE SLITS REVENGE OF THE KILLER SLITS S.A.F. It's a rare thing when a group can have fleeting brilliance with one album early in their career, disappear for decades and resurface with a sound still vital in the modern soundscape. Such is the case with The Slits; their album Cut is one of the earliest ...
Ink 19 :: The Slits
February 1999 :: Music S-Z :: The Slits (Shelton Hull)
The Slits In The Beginning Cleopatra Long before contemporary feminism was able to force its way into the national debate, it existed not as an organized movement, but in the work of chicks who carved niches for themselves, not as a political statement but as a matter of survival. It probably says ...
Ink 19 :: The Slits
December 1997 :: Music P-S :: The Slits (David A Clark)
The Slits In the Beginning: A Live Anthology Cleopatra This the way god meant punk to be heard -- full-on live, warts and all. The first seven tracks, previously unreleased, were recorded at Dingwalls in London on 6.9.77. With cracking voices, mike feedback, and coarse comments from the crowd, it's ...
Ink 19 :: Punk Archives
February 1999 :: Music N-R :: Punk Archives (David Lee Beowulf)
Punk Archives 25 Punk Singles Cleopatra An important compilation of, just like it says, twenty-five, classic punk rock singles. The collection spans from '77 to '89, mostly concentrating on UK , included are "Born to Lose" and "Chinese Rocks" by Johnny Thunders and the Heartbreakers, "Seeing Through ...
Ink 19 :: Winona Ryder
February 1998 :: Print :: Winona Ryder (Shelton Hull)
Winona Ryder The Editors of US Magazine Rolling Stone Press The generation gap, it seems, is shrinking. A little, not only in mathematical terms but in theoretical terms. What little we have in common is represented only in tradition. Whether it's jazz music, existentialist literature, or professional ...
Ink 19 :: LiLiPUT
LiLiPUT (Kill Rock Stars). Review by Christopher R. Weingarten.
LILIPUT LILIPUT Kill Rock Stars The angular post-punk femi-squall of LiLiPUT (formerly the copyright-infringing Kleenex) certainly had its niche amongst its European avant sisters of the late '70s. More methodically tense than The Raincoats, less caustically fierce than The Slits, the Swiss misses ...
Ink 19 :: The Melvins
The Melvins at the Cow Haus in Tallahassee, FL on June 8, 2002. Concert review by Matthew Moyer. Photos by Heather Lorusso.
THE MELVINS The Cow Haus, Tallahassee, FL June 8, 2002 by Matthew Moyer Heather Lorusso About ten years ago in Orlando, a bunch of moronic GWAR fans tried to boo The Melvins off the stage. But like I told someone earlier, booing off the stage means that the band actually vacates the stage and doesn ...
Ink 19 :: The Creatures
June 1999 :: Ink Spots :: The Creatures (Holly Day)
THE CREATURES by Holly Day In 1996, Siouxsie Sioux officially shitcanned the Banshees to protest the Sex Pistols' reunion. She and her husband, Budgie, took off to pursue their own musical interests -- the experiments in drum'n'voice they had already begun years before with their EP in 1981, Wild Things ...
Ink 19 :: Hank Dogs
Half Smile (spinART). Review by Stein Haukland.
HANK DOGS HALF SMILE spinART I'm not even going to try and resist the temptation to inform you that Andy here used to do session work with The Sex Pistols, while his wife Piano played with The Slits, even though that has absolutely nothing to do with the music of Hank Dogs. However, it's a good enough ...
Ink 19 :: Edition Terranova
Hitchhiking Nonstop With No Particular Destination (!K7). Review by Bill Campbell.
...dancefloor assault-and-battery that'll leave you battered, bruised, and breathless. They have a hyperbolic grit that shatters walls and bleeds gums. The disc starts with "Concepts," a pseudo-industrial, schizophrenic's nightmare of a breakbeat. Like Texas, these guys do nothing small, and everything...
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