Search results for 'the and vines'
Showing 1 - 10 of 10 matches
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thickfreakness (Fat Possum). Review by Troy Jewell.
THE BLACK KEYS THICKFREAKNESS Fat Possum Just when the "new wave" of garage rawk (e.g. The White Stripes and The Vines) seems to have ended, The Black Keys, a blues-punk (yes!) duo from Akron, Ohio, release their second album thickfreakness. The Black Keys keep to their blues and soul roots while fiddling ...
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Take You Apart (In Music We Trust, Rhythm Ace Records). Review by Tim Wardyn.
... TAKE YOU APART In Music We Trust, Rhythm Ace Records Look out! Here’s another band from down-under, and this one could actually infiltrate the U.S. and take over rock as we know it. With its infectious melodies and rock sensibilities that is a perfect cross of Silverchair and The Vines, Take You Apart ...
48% match
Distant Effects (Squealer). Review by Frank White .
MAJOR STARS DISTANT EFFECTS Squealer I'd like to be speak candidly to you about a new release of rock music by the band Major Stars. It is rock music in a nostalgic sense. Music made by a group of musicians who know their chops, love the warble of vinyl, the nostalgic bliss of the psychedelic era. ...
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"Melodic with a touch of groove and an anemic, very white approach to the vocals, but still soulful." Gail Worley talks to Johnny Marr, currently of The Healers and formerly of the Smiths, and manages to keep it together. Mostly.
THE BOY WITH THE THORN IN HIS SIDE: AN INTERVIEW WITH JOHNNY MARR by Gail Worley To every curmudgeonly rock critic who claims that Boomslang, the debut album by former Smiths guitarist Johnny Marr and his new band, The Healers, lacks originality, Marr would probably respond by saying something like ...
21% match
The Natural History (Startime International). Review by Troy Jewell.
THE NATURAL HISTORY THE NATURAL HISTORY Startime International The Natural History's self-titled debut EP is a raw, blues-fused recording reminiscent of recent post-punk darlings The White Stripes and The Vines The EP features primarily mid-tempo tunes with a focused backbone of drummer Derek Bockins ...
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December 1999 :: Music H-I :: Ritchie Hawtin (Nirav Soni)
Ritchie Hawtin Decks, EFX, & 909 Novamute The DJ is the quintessential postmodern artist. The DJ takes existing works of art and shapes them into a new, cohesive whole. The DJ operates at the head of the rave, the shaman in the middle of a tribal ritual. The DJ doesn't just play tracks, he molds and ...
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Pain (SPV). Review by Matthew Moyer.
ROSE TATTOO PAIN SPV So I wanted to hear something by the guys that Guns N' Roses, as I understand, took a lot of inspiration from. Well, shit, Axl and the gang did cover "Nice Boys" -- fun stuff. But it's been over fifteen years, the first new material in a decade-and-a-half. Can five tattoo-covered ...
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Games at High Speeds (Arena Rock). Review by Dan Stapleton.
PILOT TO GUNNER GAMES AT HIGH SPEEDS Arena Rock Stop the presses! New York's Pilot to Gunner are releasing their highly anticipated Games at High Speeds! "But wait," you say, "didn't they already do that?!" Well yes; twice, in fact. In 2001, the brash, catchy long-player (pop, rock, punk, emo -- whatever ...
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Reservations (Hausmusik). Review by Aaron Shaul.
SODASTREAM RESERVATIONS Hausmusik It's kind of disconcerting how most of the hyped Australian exports are wild indie rockers. Bands like The Vines, Wolfmother, The Living End and the like, while fine enough examples of rawk attitude and posturing, serve more to cement the stereotype of "crazy Aussies ...
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Win Us Over (Volcom). Review by Jen Cray.
ASG WIN US OVER Volcom ASG (Amplification of Self Gratification) always has great album covers, and their fourth release, Win Us Over, is perhaps the most eye catching thus far. It's a psychedelic mirror-image of two naked women whose hair become vines that entangle them. It's reminiscent of the famous ...
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