Search results for 'vines'
Showing 1 - 10 of 10 matches
100% match
thickfreakness (Fat Possum). Review by Troy Jewell.
THE BLACK KEYS THICKFREAKNESS Fat Possum Just when the "new wave" of garage rawk (e.g. The White Stripes and The Vines) seems to have ended, The Black Keys, a blues-punk (yes!) duo from Akron, Ohio, release their second album thickfreakness. The Black Keys keep to their blues and soul roots while fiddling ...
52% match
Take You Apart (In Music We Trust, Rhythm Ace Records). Review by Tim Wardyn.
... the U.S. and take over rock as we know it. With its infectious melodies and rock sensibilities that is a perfect cross of Silverchair and The Vines, Take You Apart could propel Screamfeeder to stardom here. Screamfeeder has catchier melodies and more talent than their Aussie counterparts Silverchair ...
48% match
Distant Effects (Squealer). Review by Frank White .
... . I'm calling Major Stars on it, but they're not the sole offenders. Just take all those easy targets: Pavement, Jon Spencer, The Strokes, The Vines, The Hives, The White Stripes, The Make-Up, etc. And as long as we're calling people out into the ring, I've written nice reviews about bad, repetitive ...
20% match
The Natural History (Startime International). Review by Troy Jewell.
... The Natural History's self-titled debut EP is a raw, blues-fused recording reminiscent of recent post-punk darlings The White Stripes and The Vines The EP features primarily mid-tempo tunes with a focused backbone of drummer Derek Bockins and bassist Julian Tepper. Julian's brother, Max Tepper, masterfully ...
20% match
Pain (SPV). Review by Matthew Moyer.
... to do this cool shit well into their '90s! The good news, for those with their Australian rock scorecards handy, is that they're better than The Vines. SPV Records: http://www.spv.de Matthew Moyer
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"Melodic with a touch of groove and an anemic, very white approach to the vocals, but still soulful." Gail Worley talks to Johnny Marr, currently of The Healers and formerly of the Smiths, and manages to keep it together. Mostly.
THE BOY WITH THE THORN IN HIS SIDE: AN INTERVIEW WITH JOHNNY MARR by Gail Worley To every curmudgeonly rock critic who claims that Boomslang, the debut album by former Smiths guitarist Johnny Marr and his new band, The Healers, lacks originality, Marr would probably respond by saying something like ...
20% match
December 1999 :: Music H-I :: Ritchie Hawtin (Nirav Soni)
... with precast materials more a collagist than musician. There is no hint of warmth on this record. The melodies are emaciated, strangled by the vines of rhythm. Not only has Hawtin stripped this mix of melody, he has stripped it of any humanity inherent within. What is ironic about this is that Hawtin ...
6% match
Games at High Speeds (Arena Rock). Review by Dan Stapleton.
... Games at High Speeds is fucking excellent, two years old or otherwise. If those responsible for ramming all the "The" bands (White Stripes, Strokes, Vines, Hives, etc.) down our throats had heard this when it was first released, Pilot to Gunner would be household names by now. Instead, they're admired ...
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Win Us Over (Volcom). Review by Jen Cray.
... their fourth release, Win Us Over, is perhaps the most eye catching thus far. It's a psychedelic mirror-image of two naked women whose hair become vines that entangle them. It's reminiscent of the famous poster art of the Fillmore and is very Gary Grimshaw (check him out: www.garygrimshaw.com, he's ...
1% match
Reservations (Hausmusik). Review by Aaron Shaul.
SODASTREAM RESERVATIONS Hausmusik It's kind of disconcerting how most of the hyped Australian exports are wild indie rockers. Bands like The Vines, Wolfmother, The Living End and the like, while fine enough examples of rawk attitude and posturing, serve more to cement the stereotype of "crazy Aussies ...
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