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Ink 19 :: Warhorse
As Heaven Turns to Ash… (Southern Lord). Review by Matthew Moyer.
WARHORSE AS HEAVEN TURNS TO ASH… Southern Lord Is it too late to erase all of the sins of my past? I fucking hope not. I want to start with one of the big ones -- I want to renounce all of the false doom metal idols of my past. Out Cathedral. Out Saint Vitus. Begone Grief. Get thee behind me, Black ...
Ink 19 :: Proofing for Wednesday
Proofing for Wednesday (Ink 19, March 2001)
HAGALAZ' RUNEDANCE VOLVEN Well Of Urd Within a clearing deep in the forest, a throbbing drum begins to beat. Soon the feet of the dancers tap out the rhythm, circling around the center, whirling faster and faster as flutes, bagpipes, lyres, and other Nordic and Celtic instruments join the tune, building ...
Ink 19 :: Gonzalez
Gonzalez (Gonzalezmusic). Review by Matthew Moyer.
...and clean for my tastes, Gonzalez is neither visceral nor sprawling nor misanthropic to make any lasting mark in the doom genre. Melvins, Khanate, Warhorse, Down, Spirit Caravan, Cruevo, Brainoil, Electric Wizard, Grief -- that's some good evil doom. This just lacks that sticky, menacing, bloody-mouthed...
Ink 19 :: Spirit Caravan
Elusive Truth (Tolotta). Review by Matthew Moyer.
...of the doom genre. Y'see, Elusive Truth is recorded with rather minimal distortion, reverb, and feedback (the diametrical opposite of, say, the new Warhorse record), and somehow it works! This drier sound gives it a more classical feel (old Sabbath, blah blah) and I can feel the space between the notes...
Ink 19 :: Beaten Back to Pure
Southern Apocalypse (Retribute). Review by Matthew Moyer.
...Apocalypse is a long torturous crawl to self-inflicted oblivion. They may thus take their place at the head of the doom class with Khanate and Warhorse. I think it was Trouble who used to say that it's harder to play slow than to play fast -- Beaten Back to Pure proves that it's better that way too...
Ink 19 :: Machine Head
Supercharger (Roadrunner). Review by Nathan T. Birk.
...ever forward just the same, ones that are, arguably, the most mammoth around outside the nascent acid-doom metal scene (Isis, Electric Wizard, 5ive, Warhorse, etc.). And call it a wise splitting of differences, but Machine Head also go for equally big choruses from time to time, vaguely scintillating...
Ink 19 :: Burmese/Fistula
Burmese/Fistula,Burmese/Fistula,Crucial Blast Records,Matthew Moyer
...end it all with a cold wind or a hollow death rattle. Fistula are real fucking contenders in the doom genre. I’m as impressed by them as I was by Warhorse’s early efforts. Burmese, they’ll go over huge with the Load Records crowd or Whitehouse masochists. Well done to Crucial Blast for uniting them...
Ink 19 :: Doom Capitol
Maryland,Various Artists,Doom Capitol: Maryland/DC Heavy Rock Underground,Crucial Blast,Matthew Moyer
...enough to be pretty big. Leviathan A.D.’s barely twitching “Breathing Rust” follows the bloodline of doom that’s dearer to my heart: Asphyx, Warhorse and Khanate. Overkill heaviness on all counts, that lethal buzzsaw guitar played at slugspeed combined with a deceptively restrained rhythm section, but...
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