Changing the Face of College Radio
by Carl F Gauze
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| courtesy www.officialramones.com |
The next summer, The Ramones played Summerfest in Milwaukee, one of the early big city sponsored music fests. The Dictators played, as well, but a different night. Summerfest was a big party. You were legal at 18, and no one really carded, and people smoked dope on the big rocks on the lake and the cops hardly busted anyone. When my buddies and I found the Novelty Stage (not the Main Stage -- that was for Liberace or Manhattan Transfer), it was packed, until the boys lit off their first guitar chords. Beer Town teenyboppers scattered like roaches, and in 15 minutes, we were in the third row. Wow! There they were, ten feet from us -- loud, sneering, and waving a cardboard sign saying "Gabba Gabba We Accept You." Not sure what they're talking about? Go rent Todd Browning's Freaks, young slacker, and see some real horror. They did about 20 songs in 45 minutes, all sounding pretty much alike, but they moved a generation to realize there was nothing, not even a complete lack of musical sense or skill, that could keep you from hitting it big on college radio. It was a moment that could only happen in America.
Years later, I discovered where the name "Ramones" originated -- Paul McCartney traveled as "Paul Ramone" for security reasons. Completely useless information, but today is the day to remember such little things. 




