The Dresden Dolls' Amanda Palmer delivers a mesmerizing rare solo performance to her faithful Orlando flock... even Neil Gaiman showed up!
Dashboard Confessional and New Found Glory surprise Orlando fans with an intimate, acoustic show just in time for the holidays.
Trivium traveled Into the Mouth of Hell and ended up back in their home town of Orlando.
Another tough year is dead and gone, leaving only the tough and the clever. Carl F Gauze remembers 19 of 2009's great and not so great dead people.
The Essential "Weird Al" Yankovic (Legacy Recordings). Review by Tim Wardyn.
For Your Entertainment (RCA Music Group). Review by Christopher Long.
This Is Thirteen (VH1 Classics). Review by Duncan B. Barlow.
Beast Rest Forth Mouth (Hometapes). Review by Carl F Gauze.
Nasty Gal (Light in the Attic Records). Review by Carl F Gauze.
Killer Lake (Infintesmal). Review by Matthew Moyer.
Circles Around Me (Sugar Hill Records). Review by Tim Wardyn.
Try Brother (The Record Machine). Review by Carl F Gauze.
Big Whiskey and the Groo Grux King (RCA Records). Review by Tim Wardyn.
African Elephants (Fat Wreck Chords). Review by Jen Cray.
Ask The Night (Saddle Creek). Review by Matthew Moyer.
Christmas with Sinatra and Friends (Concord Music). Review by Matthew Moyer.
Couple Tracks: Singles 2002–2009 (Matador Records). Review by Laura Pontillo.
Let's Build A Roof (K-Records). Review by Carl F Gauze.
American Horizon (Los Cenzontles Arts Center). Review by Carl F Gauze.
Words of the Knife (Porto Franco Records). Review by Carl F Gauze.
The Sound The Speed The Light (Matador Records). Review by Carl F Gauze.
Middle Cyclone (Anti). Review by Tim Wardyn.
Psychic Chasms (Lefse Records). Review by Matthew Moyer.
No Friends (No Idea). Review by Jen Cray.
Dolly (Sony Legacy). Review by Matthew Moyer.
Two Sunsets (Domino). Review by Matthew Moyer.
What We All Come to Need (Southern Lord). Review by Carl F Gauze.
In Memoriam, Ill Omen (Pulverised Records). Review by Matthew Moyer.
A Stranger Here (Anti, Inc.). Review by Carl F Gauze.
Y Not (Hip-O/UMe Records). Review by Matt Parish.
The Day The Country Died, EP/LP, From The Cradle To The Grave, Rats/Time Flies, Worlds Apart, 29:29 Split Vision (Bluurg Records). Review by Scott Adams.
Inspiration Information Vol. 4 (Strut). Review by Matthew Moyer.
Alongside Death (Pulverized Records). Review by Matthew Moyer.
Rocking At Ground Zero with Rare Cuts! (Hepcat Records). Review by Carl F Gauze.
Forever For Hire (Stomp Records). Review by Jen Cray.
Islands (Labrador Records). Review by Matthew Moyer.
3D Radio. Review by Jen Cray.
Megafauna (Holy Mountain). Review by Matthew Moyer.
Matthew Moyer recommends Twomorrows' last volume in the All Star Companion series to pop culture scholars of all stripes. It's an essential element to any Golden Age history, when so many originals are still out of the reach of the casual fan.
Relive the decade no one claims to remember through this retrospective of Relix, a magazine that revolved around the Grateful Dead.
The four issues collected in Twomorrows latest Jack Kirby Collector are packed with interviews, pseudo-scholarly/analytical pieces, and metric tons of artwork from comics' favorite "working-class kid from the Bronx."
Take a trip back to Seattle's musical heydey with Michael Lavine, who brings us all manner of visual treasure with Grunge.
How does one begin to plan the future of a country that deliberately uses late-night TV as a form of birth control? E.J. Iannelli mulls over the possibilities that IT mogul Nandan Nilekani dreams up in his book Imagining India.
Scott Adams finds this compelling history of Merge Records, the underdog label that beat the odds and succeeded, to be insanely readable.
We follow singing sensation Rosie Thomas on tour and see how nicely everyone gets along.
Patti Smith is artfully captured over 11 years, showing America's punk poet as mother, daughter, rebel, and widow. James Mann finds it a beautiful and captivating portrait of one of our greatest artists.
In the near future, there will be a documentary produced on every single punk scene or band from the late '70s to mid '80s. And that's just fine.