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June 2011
Event Reviews
The Airborne Toxic Event
Stan Kruslicky takes in The Airborne Toxic Event and Voxhaul Broadcast show at Orlando's Beacham Theater.
Anna Calvi
Guitar-slinging, torch-singing sensation Anna Calvi has been lighting up the Western Hemisphere this year in support of a stunning debut album. Steve Stav was lucky enough to witness her act firsthand, and came to his senses long enough to file this report.
Face to Face
Face to Face are together again after a break-up that didn't stick. Orlando fans, like Jen Cray, reap the benefits of their reunion.
Los Amigos Invisibles
A decade of anticipation does not go to waste when Los Amigos Invisibles bring el espectaculo to Orlando, as Ian Koss can attest.
Nashville Pussy
Country, hardcore, and power punk make for an eclectic crowd and evening -- still, Carl F Gauze enjoys the unique twist of Nashville Pussy.
Owl City
Owl City brings fan-friendly melodies, moody lighting, and hologram rappers (!?!) to Orlando's House of Blues. Stan Kruslicky can get down with the tunes and the lights, but draws the line at holographic musicians onstage.
The Legend of the Seagullmen
Pad Thai, Richard Pryor, a metal madman, and masked musicians: The Legend of the Seagullmen invaded Cocoa Beach. Ian Koss makes sense of it all.
Interviews
The Psychedelic Furs
To celebrate the 30th anniversary of their landmark album, Talk Talk Talk, The Psychedelic Furs are taking it on the road this spring. The iconic band's co-founder, Tim Butler, chats about the album's durability, brotherhood, and having Rick Springfield as a fan in an interview with Steve Stav.
Music Reviews
Emmylou Harris
Hard Bargain (Nonesuch Records). Review by James Mann.
Empty Space Orchestra
Empty Space Orchestra. Review by Carl F Gauze.
Friedman & Liebezeit
Secret Rhythms 4 (Nonplace Records). Review by Carl F Gauze.
John Frusciante
Niandra Lades and Usually Just a T-Shirt (American Recordings). Review by Eli Didier.
Lee “Scratch” Perry
Rise Again (M.O.D. Technologies). Review by James Mann.
Machine
Redhead (Rekids). Review by Carl F Gauze.
The Melvins
Sugar Daddy Live (Ipecac Recordings). Review by James Mann.
Mr. Ho's Orchestrotica
Third River Rangoon (Exotica For Modern Living). Review by Carl F Gauze.
MUTEMATH
Mutemath (Warner Bros. Records). Review by Eli Didier.
Nazareth
Big Dogz (Eagle Records). Review by Christopher Long.
Peter Bradley Adams
Between Us (Mishara). Review by Andrew Ellis.
R.E.M.
Collapse Into Now (Warner Bros. Records). Review by Tim Wardyn.
Ray Charles
Live in Concert (Concord Music Group). Review by Carl F Gauze.
Roy Orbison
The Monument Singles Collection (Legacy Recordings). Review by Carl F Gauze.
Surf City
Kudos (Fire Records). Review by Matthew Moyer.
Temporary Resident
Imaginary Cities (Hidden Pony Records). Review by Carl F Gauze.
The Black Keys
Brothers (Nonesuch Records). Review by Eli Didier.
The Chemical Brothers
Hanna: The Original Motion Picture Soundtrack (Back Lot Music). Review by Laura Pontillo.
The Greencards
The Brick Album (Darling Street Records). Review by Tim Wardyn.
The Pauses
A Cautionary Tale (New Granada). Review by Jen Cray.
Thelonious Monk Septet
Monk's Music (Fantasy). Review by Carl F Gauze.
Urge Overkill
Rock & Roll Submarine (UO Records). Review by Sean Slone.
Print Reviews
Rainbow Pie: A Redneck Memoir
Joe Bageant was a redneck Mark Twain, and his final work is both memoir and eulogy.
Screen Reviews
Anywhere, USA
Quentin Tarantino thinks this is moving. Carl F Gauze isn’t along for the ride.
Brian Eno: The Man Who Fell to Earth, 1971-1977
The legendary creative force that is Brian Eno is detailed in this long overdue and fascinating documentary.
The Red Chapel
Danish Comedians invade the Democratic People's Republic of Korea and act out some subversive performance art. The North Koreans do not "get" it.
X-Men: First Class
Black Continentals, Las Vegas, the Cold War, and scantily clad, lethal women. A new James Bond movie? Nope. The retro-set prequel to Marvel Comics' most popular franchise is full of surprises -- and Ink 19's resident mutant, Steve Stav, tries not to spoil too many of them in his review of X-Men: First Class.
